In a shift from earlier thinking, the social status of nineteenth-century composers became equivalent to that of


A. lords and courtiers.
B. tailors and hatters.
C. woodworkers and carriage builders.
D. painters and poets.

3 answers

And you think its ... ?
i think its D , is that right?
I agree.

http://www.google.com/search?q=social+status+of+nineteenth-century+composers&rlz=1C1GGGE_enUS379US379&oq=social+status+of+nineteenth-century+composers&aqs=chrome.0.57j62l2.1432&sourceid=chrome&ie=UTF-8