To determine which option is not typical of classical style full-noted parts for all instruments as related to the concerto grosso, we should first outline what is typically associated with this style:
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Detailed Notation: Classical compositions, especially in the concerto grosso form, often have clear and detailed notation to convey the requirements for each instrument.
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Dramatic Elements: The concerto grosso typically features contrasts between the concertino (small group of soloists) and the ripieno (full orchestra), allowing for a dramatic and expressive interplay.
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Full-Noted Parts: In classical music, particularly in the concerto grosso, full-noted parts are used, whereby each instrument is given distinct and fully realized playing parts.
Typically not associated with classical style full-noted parts for the concerto grosso would be:
- Improvisation: While some baroque forms allowed for improvisation (notably in ornamentation), classical style full-noted parts usually prioritize fully written music with specific parts for each instrument.
Without the specific options listed, I would conclude that improvisation is the least typical feature related to classical style full-noted parts for a concerto grosso. If you have specific choices, please provide them and I can help identify which one does not belong.