C
i. LAKUNLE: Ignorant girl, can you not understand? To pay the price would be/ To buy a heifer off the market stall. You'd be my chattel, my mere property – The conflict between tradition and modernity.
ii. LAKUNLE: We'll buy saucepans for all the women/ Clay pots are crude and unhygienic – Women under patriarchy.
iii. SADIKU: [throws back her head in laughter.] You a man? Is Baroka not more of a man than you? And if he is no longer a man, then what are you? – Trickery and manipulation.
iv. SIDI: [plunging into an enjoyment of Lakunle's misery.] Well, don't you know? Sidi is more important even than the Bale. More famous than that panther of the trees. He is beneath me now -- Your fearless rake, the scourge of womanhood! But now,/ He shares the corner of the leaf With the lowest of the low -- With the dug-out village latrine! While I -- How many leaves did my own image take? – The power of images.
Which of the following combinations correctly matches quotations and corresponding themes?
A
i. LAKUNLE: Ignorant girl, can you not understand? To pay the price would be/ To buy a heifer off the market stall. You'd be my chattel, my mere property – Women under patriarchy.
ii. LAKUNLE: We'll buy saucepans for all the women/ Clay pots are crude and unhygienic – The conflict between tradition and modernity.
iii. SADIKU: [throws back her head in laughter.] You a man? Is Baroka not more of a man than you? And if he is no longer a man, then what are you? – Trickery and manipulation.
iv. SIDI: [plunging into an enjoyment of Lakunle's misery.] Well, don't you know? Sidi is more important even than the Bale. More famous than that panther of the trees. He is beneath me now -- Your fearless rake, the scourge of womanhood! But now,/ He shares the corner of the leaf With the lowest of the low -- With the dug-out village latrine! While I -- How many leaves did my own image take? – The power of images
B
i. LAKUNLE: Ignorant girl, can you not understand? To pay the price would be/ To buy a heifer off the market stall. You'd be my chattel, my mere property – The conflict between tradition and modernity.
ii. LAKUNLE: We'll buy saucepans for all the women/ Clay pots are crude and unhygienic – Trickery and manipulation.
iii. SADIKU: [throws back her head in laughter.] You a man? Is Baroka not more of a man than you? And if he is no longer a man, then what are you? – Women under patriarchy.
iv. SIDI: [plunging into an enjoyment of Lakunle's misery.] Well, don't you know? Sidi is more important even than the Bale. More famous than that panther of the trees. He is beneath me now -- Your fearless rake, the scourge of womanhood! But now,/ He shares the corner of the leaf With the lowest of the low -- With the dug-out village latrine! While I -- How many leaves did my own image take? – The power of images.
C
i. LAKUNLE: Ignorant girl, can you not understand? To pay the price would be/ To buy a heifer off the market stall. You'd be my chattel, my mere property – The conflict between tradition and modernity.
ii. LAKUNLE: We'll buy saucepans for all the women/ Clay pots are crude and unhygienic – Women under patriarchy.
iii. SADIKU: [throws back her head in laughter.] You a man? Is Baroka not more of a man than you? And if he is no longer a man, then what are you? – Trickery and manipulation.
iv. SIDI: [plunging into an enjoyment of Lakunle's misery.] Well, don't you know? Sidi is more important even than the Bale. More famous than that panther of the trees. He is beneath me now -- Your fearless rake, the scourge of womanhood! But now,/ He shares the corner of the leaf With the lowest of the low -- With the dug-out village latrine! While I -- How many leaves did my own image take? – The power of images.
D
i. LAKUNLE: Ignorant girl, can you not understand? To pay the price would be/ To buy a heifer off the market stall. You'd be my chattel, my mere property – The conflict between tradition and modernity.
ii. LAKUNLE: We'll buy saucepans for all the women/ Clay pots are crude and unhygienic – Women under patriarchy.
iii. SADIKU: [throws back her head in laughter.] You a man? Is Baroka not more of a man than you? And if he is no longer a man, then what are you? – The power of images
iv. SIDI: [plunging into an enjoyment of Lakunle's misery.] Well, don't you know? Sidi is more important even than the Bale. More famous than that panther of the trees. He is beneath me now -- Your fearless rake, the scourge of womanhood! But now,/ He shares the corner of the leaf With the lowest of the low -- With the dug-out village latrine! While I -- How many leaves did my own image take? – Women under patriarchy.
1 answer