used perspective to create the depth and proportion in the scene.
used perspective to create the depth and proportion in the scene.
To create this lighthouse scene, the artist
(1 point)
Responses
used organic shapes to create the boat.
used organic shapes to create the boat.
used geometric shapes to create the lighthouse and the buildings.
used geometric shapes to create the lighthouse and the buildings.
could not reference recognizable shapes to create this image.
could not reference recognizable shapes to create this image.
used cubism to create the entire scene.
used cubism to create the entire scene.
10 answers
To create this lighthouse scene, the artist
(1 point)
Respond to which answer below
used organic shapes to create the boat.
used geometric shapes to create the lighthouse and the buildings.
could not reference recognizable shapes to create this image.
used cubism to create the entire scene.
(1 point)
Respond to which answer below
used organic shapes to create the boat.
used geometric shapes to create the lighthouse and the buildings.
could not reference recognizable shapes to create this image.
used cubism to create the entire scene.
used perspective to create the depth and proportion in the scene.
The Lighthouse at Honfleur
by Georges Seurat
Courtesy National Gallery of Art, Washington
To create this lighthouse scene, the artist
(1 point)
Responses
used organic shapes to create the boat.
used organic shapes to create the boat.
used geometric shapes to create the lighthouse and the buildings.
used geometric shapes to create the lighthouse and the buildings.
could not reference recognizable shapes to create this image.
could not reference recognizable shapes to create this image.
used cubism to create the entire scene.
by Georges Seurat
Courtesy National Gallery of Art, Washington
To create this lighthouse scene, the artist
(1 point)
Responses
used organic shapes to create the boat.
used organic shapes to create the boat.
used geometric shapes to create the lighthouse and the buildings.
used geometric shapes to create the lighthouse and the buildings.
could not reference recognizable shapes to create this image.
could not reference recognizable shapes to create this image.
used cubism to create the entire scene.
used geometric shapes to create the lighthouse and the buildings.
The shapes of the stones
(1 point)
Responses
used negative space to create the illusion of texture.
used negative space to create the illusion of texture.
were arranged to create a radial balance design.
were arranged to create a radial balance design.
were arranged to create a sense of asymmetrical balance.
were arranged to create a sense of asymmetrical balance.
created a sense of perspective because of the contrasting colors in all stones.
(1 point)
Responses
used negative space to create the illusion of texture.
used negative space to create the illusion of texture.
were arranged to create a radial balance design.
were arranged to create a radial balance design.
were arranged to create a sense of asymmetrical balance.
were arranged to create a sense of asymmetrical balance.
created a sense of perspective because of the contrasting colors in all stones.
created a sense of perspective because of the contrasting colors in all stones.
The Old Violin
by William Michael Harnett
Courtesy National Gallery of Art, Washington
Emphasis was created by
(1 point)
Responses
using similar colors throughout.
using similar colors throughout.
creating a white square behind the violin.
creating a white square behind the violin.
using only organic shapes in the painting.
using only organic shapes in the painting.
creating a radial design with lines coming from the violin.
creating a radial design with lines coming from the violin.
by William Michael Harnett
Courtesy National Gallery of Art, Washington
Emphasis was created by
(1 point)
Responses
using similar colors throughout.
using similar colors throughout.
creating a white square behind the violin.
creating a white square behind the violin.
using only organic shapes in the painting.
using only organic shapes in the painting.
creating a radial design with lines coming from the violin.
creating a radial design with lines coming from the violin.
creating a white square behind the violin.
The answers are all B