The three perfections were considered to be painting, poetry, and

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calligraphy. These three art forms were highly valued in traditional East Asian culture, particularly in China and Japan, and were believed to represent the pinnacle of artistic expression. Together, they were known as the "sanjūsangen," or "thirty-six techniques," which were considered essential for anyone aspiring to be a true master of art.

Painting involved the use of various materials, such as ink, pigments, and brushes, to create visual images on paper or silk. It was often used to depict natural landscapes, historical events, or portraits of people.

Poetry, or "waka" in Japanese, was a form of literary expression that involved writing short, structured verses that captured the beauty and emotions of the natural world. It often focused on themes of love, nature, and spirituality.

Calligraphy, or "shodo" in Japanese, involved the writing of Chinese characters or Japanese kanji using a brush and ink. It was considered a form of visual art that required great skill and precision, and was often used to inscribe poems, paintings, or important historical documents.

Together, these three art forms were seen as complementary and interdependent, with each art form enhancing and elevating the others. They were considered to be a reflection of the artist's personal character and creativity, and were highly valued in traditional East Asian culture as a means of cultivating spiritual and aesthetic refinement.
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