The Story of an Hour

by Kate Chopin

Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.

She arose at length and opened the door to her sister’s importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister’s waist, and together they descended the stairs. Richards stood waiting for them at the bottom.

Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of accident, and did not even know there had been one. He stood amazed at Josephine’s piercing cry; at Richards’ quick motion to screen him from the view of his wife.

But Richards was too late.

When the doctors came they said she had died of heart disease—of joy that kills.

"The Story of an Hour" by Kate Chopin

Question
Use the passage to answer the question.

In 1–2 sentences, analyze how the author’s choice of an ending contributes to the story’s aesthetic impact.

(2 points)
(Answer this in grade 10 level and simpler words)

1 answer

In the ending of "The Story of an Hour," Kate Chopin creates a powerful and dramatic twist when Louise Mallard dies from the shock of seeing her husband alive. This unexpected turn highlights the theme of freedom versus oppression in marriage, leaving readers with a strong emotional impact and a sense of irony about the constraints women faced.