The Most Dangerous Gameby Richard Connell“Off there to the right—somewhere—is a large island,” said Whitney. “It’s rather a mystery——”“What island is it?” Rainsford asked.“The old charts call it ‘Ship-Trap Island,’“ Whitney replied. “A suggestive name, isn’t it? Sailors have a curious dread of the place. I don’t know why. Some superstition——”“Can’t see it,” remarked Rainsford, trying to peer through the dank tropical night that was palpable as it pressed its thick warm blackness in upon the yacht.“You’ve good eyes,” said Whitney, with a laugh, “and I’ve seen you pick off a moose moving in the brown fall bush at four hundred yards, but even you can’t see four miles or so through a moonless Caribbean night.”“Nor four yards,” admitted Rainsford. “Ugh! It’s like moist black velvet.”“It will be light enough in Rio,” promised Whitney. “We should make it in a few days."The Most Dangerous Game" by Richard Connell Use the passage to answer the question.In 1–2 paragraphs, analyze how the author uses figurative language to reveal elements of the story’s cultural setting.

1 answer

In the excerpt from "The Most Dangerous Game," Richard Connell employs figurative language to create a vivid depiction of the Caribbean night, enhancing the story's cultural setting. The description of the night as "palpable" and "pressing its thick warm blackness" evokes a sense of heaviness and oppressive humidity typical of tropical climates. This imagery not only immerses readers in the environment but also reflects the foreboding atmosphere that surrounds Ship-Trap Island, linking it to sailors' superstitions and fears. By referring to the darkness as "moist black velvet," Connell likens the night to a tangible entity, further emphasizing its enveloping, almost stifling quality, which suggests both allure and danger, key themes in the story.

Moreover, Rainsford and Whitney's conversation hints at cultural attitudes toward the island, particularly through Whitney’s mention of sailors’ "curious dread" of the place. This phrase encapsulates the blend of intrigue and apprehension associated with the unknown, which characterizes the explorers' mindset. The use of colloquial expressions, such as "old charts" and "a suggestive name," also reflects a colonial attitude prevalent during the time the story was written, hinting at a Western perspective of exotic locales. As a whole, Connell's figurative language not only establishes a sensory-rich backdrop but also subtly critiques and reflects the cultural perceptions of danger and mystery in exploring uncharted territories.