In the opening exchange between Whitney and Rainsford, Richard Connell employs figurative language to evoke a sense of mystery and foreboding surrounding Ship-Trap Island. The name itself, a metaphor, encapsulates both maritime danger and the suspenseful atmosphere that permeates the story. Whitney’s reference to sailors' “curious dread” suggests a deep-rooted superstition tied to the island, hinting at cultural beliefs about the supernatural and the unknown that are prevalent among those who navigate the seas. This use of personification of the island—implying it has the ability to "trap" ships—further enhances the ominous tone and establishes the island as a character in itself, serving as both a literal and metaphorical trap for the story's protagonists.
Moreover, Connell's choice of words like “mystery” and “superstition” reflects the cultural attitudes of the early 20th century, when exploration was often tinged with fear of the unknown, particularly in uncharted territories. This sense of cultural wariness amplifies the tension as it foreshadows the sinister events to unfold, aligning the reader’s anticipation with Rainsford's initial curiosity. The figurative language not only establishes the setting's perilous nature but also underscores a broader commentary on humanity's relationship with nature and the lurking dangers that lie beyond the familiar.