The best evidence to support the statement "Claude Monet's painting style emphasized the transitory effects of light and weather" is the part that states, "Working outdoors, he employed seemingly spontaneous brushstrokes to capture the ever-changing effects of light and atmosphere." This highlights Monet's approach to painting, specifically his focus on capturing the dynamic qualities of light and weather in his work. Additionally, the mention of his series of paintings that "captured a specific atmospheric effect and time of day" further supports this idea, illustrating his dedication to depicting these fleeting moments.
Select the best evidence to support the statement "Claude Monet's painting style emphasized the transitory effects of light and weather."
Most of Monet's paintings from the 1870s depict the landscape in and around the small towns along the Seine. Working outdoors, he employed seemingly spontaneous brushstrokes to capture the ever-changing effects of light and atmosphere. In the 1880s Monet expanded his motifs, turning his attention both to the Mediterranean and to the rugged vistas along the Normandy coast. In the 1890s he undertook a number of paintings produced in series, including pictures of poplars, grainstacks, and Rouen Cathedral; each work captured a specific atmospheric effect and time of day. With his reputation as France's leading landscape painter established and his financial situation secure, the artist turned his attention to the lavish gardens he had constructed at Giverny, eventually creating more than 250 works focused on water lilies.
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