In the final stanza of the poem “Sea Rose,” the poet uses words such as “spice” and “acrid” to appeal to the reader’s sense of smell.
Read the poem “Sea Rose,” by H.D.
Rose, harsh rose,
marred and with stint of petals,
meagre flower, thin,
sparse of leaf,
more precious
than a wet rose
single on a stem? —
you are caught in the drift.
Stunted, with small leaf,
you are flung on the sand,
you are lifted
in the crisp sand
that drives in the wind.
Can the spice-rose
drip such acrid fragrance
hardened in a leaf?
In the final stanza, the poet uses words such as “spice” and “acrid” to appeal to the reader’s
sense of smell.
sense of touch.
sense of sight.
sense of taste.
9 answers
Rose, harsh rose,
marred and with stint of petals,
meagre flower, thin,
sparse of leaf,
more precious
than a wet rose
single on a stem? —
you are caught in the drift.
Stunted, with small leaf,
you are flung on the sand,
you are lifted
in the crisp sand
that drives in the wind.
Can the spice-rose
drip such acrid fragrance
hardened in a leaf?
Which best describes the structure of “Sea Rose”?
free verse
rhyming couplets
iambic pentameter
haiku form
The structure of “Sea Rose” by H.D. is best described as free verse. There is no consistent rhyme scheme or meter that defines the poem, which is a characteristic of free verse poetry.
The apparition of these faces in the crowd;
Petals on a wet, black bough.
Which best describes the metaphor conveyed in the poem?
The city environment destroys all beauty.
Water cleanses the dirty metro station.
There is natural beauty in a city environment.
The crowd is made up of many different faces.
The best description of the metaphor conveyed in the poem "In a Station of the Metro" is there is natural beauty in a city environment. The comparison of the faces in the crowd to "petals on a wet, black bough" suggests a moment of beauty amidst the urban setting.
Modernist writers reinvented conventional forms in response to cultural shifts and historical events.
Modernist writers utilized traditional forms to express bold and progressive social ideas.
Modernist writers used figurative language to express fantastical views that did not reflect the reality of the world around them.
Modernist writers created a new literary genre based on the idea that language has more power than visual art.
The statement that most accurately describes modernist writers is: Modernist writers reinvented conventional forms in response to cultural shifts and historical events. This reflects the way modernist literature emerged in the context of significant changes in society, culture, and technology, leading writers to break away from traditional forms and experiment with new styles.
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.
—“Rhapsody on a Windy Night,”
T. S. Eliot
What feelings do Eliot’s choice of words express to the reader?
T. S. Eliot’s choice of words in “Rhapsody on a Windy Night” conveys feelings of decay, desolation, and a sense of haunting nostalgia. Words like "twisted," "broken," "rust," and "snapped" evoke images of deterioration and abandonment, suggesting a world that has been worn down and stripped of vitality. The imagery of the "twisted branch" and the "broken spring" emphasizes a sense of loss and the passage of time, while the references to the "secret of its skeleton" impart an eerie quality, hinting at deeper existential themes. Overall, the language elicits feelings of melancholy and introspection, reflecting on the fragility and impermanence of life.