The excerpt from "The Little Foxes" reinforces the theme that women are commonly underestimated by those within society. Regina's triumphant acknowledgment of her bargaining skills suggests that she is proving her worth and intelligence in a male-dominated environment where her abilities may not be fully recognized or valued. Horace’s comment about “how little people know about each other” underscores the idea that Regina's capabilities are overlooked, pointing to a societal tendency to underestimate women.
Read the excerpt from The Little Foxes.
REGINA (to BEN, triumphantly) Exactly. (To HORACE) So I did a little bargaining for you and convinced my brothers they weren’t the only Hubbards who had a business sense.
HORACE. Did you have to convince them of that? How little people know about each other! (Laughs) But you’ll know better about Regina next time, eh, Ben? (BEN, REGINA, HORACE laugh together. OSCAR’S face is angry) Now let’s see. We’re getting a bigger share. (Looking at OSCAR) Who’s getting less?
Which of the following themes does this reinforce?
Women are often pressured to conform to roles set by society.
Women are commonly underestimated by those within society.
Women suffer injustices and abuses in male-dominated societies.
Women artists frequently face difficult paths when pursuing careers.
11 answers
Which best describes the style of The Little Foxes?
realistic
stylized
participatory
experimental
realistic
stylized
participatory
experimental
The style of The Little Foxes is best described as realistic. The play uses realistic dialogue and situations to explore the themes of greed, power, and family dynamics in the early 20th century American South. The characters are portrayed in a believable manner, reflecting their motivations and conflicts in a way that captures the complexities of human relationships and societal norms of the time.
Read the excerpt from the play The Little Foxes.
HORACE. (smiles at her, nods) And I could guess that he wants to keep control in the family.
REGINA (to BEN, triumphantly) Exactly. (To HORACE) So I did a little bargaining for you and convinced my brothers they weren’t the only Hubbards who had a business sense.
HORACE. Did you have to convince them of that? How little people know about each other! (Laughs) But you’ll know better about Regina next time, eh, Ben? (BEN, REGINA, HORACE laugh together. OSCAR’S face is angry) Now let’s see. We’re getting a bigger share. (Looking at OSCAR) Who’s getting less?
The underlined words and phrases best relate to which issue that is commonly found in feminist literature?
politics
science
economics
domesticity
HORACE. (smiles at her, nods) And I could guess that he wants to keep control in the family.
REGINA (to BEN, triumphantly) Exactly. (To HORACE) So I did a little bargaining for you and convinced my brothers they weren’t the only Hubbards who had a business sense.
HORACE. Did you have to convince them of that? How little people know about each other! (Laughs) But you’ll know better about Regina next time, eh, Ben? (BEN, REGINA, HORACE laugh together. OSCAR’S face is angry) Now let’s see. We’re getting a bigger share. (Looking at OSCAR) Who’s getting less?
The underlined words and phrases best relate to which issue that is commonly found in feminist literature?
politics
science
economics
domesticity
The underlined words and phrases in the excerpt best relate to the issue of economics. The dialogue revolves around bargaining, business sense, and discussions of shares and control within a family business, highlighting economic power dynamics and the role of women in a patriarchal society. This focus on financial dealings and the struggle for economic agency is a common theme in feminist literature.
Read the excerpt from The Chaste Adventures of Joseph: A Comedy.
MADAM POTIPHAR. She will be back in a moment. I brought her here to show her [Joseph], at work. But he is away somewhere, as usual.
POTIPHAR. (defensively) He has other duties.
MADAM POTIPHAR. Oh, yes, no doubt!
POTIPHAR. What's the matter now?
MADAM POTIPHAR. Nothing new. You know what I think about this Joseph of yours.
POTIPHAR. (irritated) Now, if you are going to bring that subject up again—! Well, I tell you flatly, I won't do it.
Which best described the tone of this excerpt?
combative
confused
hateful
deceitful
MADAM POTIPHAR. She will be back in a moment. I brought her here to show her [Joseph], at work. But he is away somewhere, as usual.
POTIPHAR. (defensively) He has other duties.
MADAM POTIPHAR. Oh, yes, no doubt!
POTIPHAR. What's the matter now?
MADAM POTIPHAR. Nothing new. You know what I think about this Joseph of yours.
POTIPHAR. (irritated) Now, if you are going to bring that subject up again—! Well, I tell you flatly, I won't do it.
Which best described the tone of this excerpt?
combative
confused
hateful
deceitful
The tone of this excerpt is best described as combative. The conversation between Madam Potiphar and Potiphar reflects a tension and disagreement, with Madam Potiphar expressing her suspicions about Joseph and Potiphar becoming defensive and irritated. This back-and-forth indicates a conflict in their viewpoints, which contributes to a combative atmosphere.
Which piece of dialogue from The Chaste Adventures of Joseph: A Comedy most reveals Madam Potiphar’s motives for wanting her husband to replace his secretary, Joseph?
MADAM POTIPHAR. (coming in) Oh, this is nothing—merely the room of one of the slaves.
MADAM POTIPHAR. (ironically) Send for Joseph? It would be useless. Joseph has affairs of his own on hand, always.
MADAM POTIPHAR. Yes—"Joseph." An ugly, foreign-sounding name, don't you think?
MADAM POTIPHAR. (looking amusedly after her) Silly little thing! (She stands there thinking.)There's no doubt of it! Joseph did come from Heliopolis last year.
MADAM POTIPHAR. (coming in) Oh, this is nothing—merely the room of one of the slaves.
MADAM POTIPHAR. (ironically) Send for Joseph? It would be useless. Joseph has affairs of his own on hand, always.
MADAM POTIPHAR. Yes—"Joseph." An ugly, foreign-sounding name, don't you think?
MADAM POTIPHAR. (looking amusedly after her) Silly little thing! (She stands there thinking.)There's no doubt of it! Joseph did come from Heliopolis last year.
The piece of dialogue that most reveals Madam Potiphar’s motives for wanting her husband to replace his secretary, Joseph, is:
MADAM POTIPHAR. (ironically) Send for Joseph? It would be useless. Joseph has affairs of his own on hand, always.
This line suggests that Madam Potiphar has a negative view of Joseph, implying that he is preoccupied with his own interests, which hints at her desire to undermine or replace him. It reflects her ulterior motives regarding Joseph's presence and her wish that he not be involved in their household.
Which of the following most supports the fact that The Chaste Adventures of Joseph: A Comedy is written in an experimental style?
The audience is actively and randomly involved in the play.
The author uses language that is unusual for the time period.
The setting and characters are presented in unusual ways.
The actors read lines before an audience with no setting.
The audience is actively and randomly involved in the play.
The author uses language that is unusual for the time period.
The setting and characters are presented in unusual ways.
The actors read lines before an audience with no setting.
The statement that most supports the fact that The Chaste Adventures of Joseph: A Comedy is written in an experimental style is:
The setting and characters are presented in unusual ways.
This indicates a departure from traditional narrative and thematic elements, embracing a more innovative approach to storytelling that can be considered experimental.
1 answer