The play signifies a shift in his style, significantly impacting the evolution of modernist drama. Rejecting realism, Strindberg clarified that he based his work not on the cause-and-effect structure typical of traditional plays, but rather on the associative connections seen in dreams. Settings blend into one another, and time shifts both forward and backward. Throughout the play, a castle appears in the garden, almost as if it were growing like a plant. In the conclusion, it catches fire, exposing a wall filled with anguished faces, before ultimately blooming at the top into a large chrysanthemum.
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The play itself represents a change in his style, one that would have widespread influence on the development of modernist drama. Eschewing realism, Strindberg explained that he had modeled his play, not on the pattern of cause and effect that had characterized the well-made play, but on the associative links found in dreams. Locales dissolve and give way to each other; time both moves forward and backward. During the course of the play, a castle grows up in the garden, as if it were a plant. At the play's end, it burns, revealing a wall of suffering and despairing faces, then blossoms at its top in a huge chrysanthemum.
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