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Strindberg is often associated with the Symbolist movement, which emphasized metaphorical representation and the use of symbols to convey deeper meanings. In "A Dream Play," the use of dream logic allows for the fluidity of time and space, blurring boundaries between reality and imagination. The character of Agnes, who represents divine perspective, serves as a symbol for human consciousness navigating the tortuous landscape of life. While "A Dream Play" predates the formal Expressionist movement, it foreshadows many of its key principles, particularly the emphasis on subjective experience and the exploration of the human psyche. The emotional states of the characters often manifest in exaggerated forms, reflecting their inner turmoil rather than an objective reality. Although "A Dream Play" was written before Surrealism was formally established, its dream-like structure and exploration of the unconscious foreshadow many Surrealist concepts. The fluid transitions between scenes and the illogical, often nonsensical dialogue reflect the style that would later be embraced by Surrealist artists and playwrights.

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Strindberg is frequently linked to the Symbolist movement, which focused on using metaphor and symbols to express deeper meanings. In "A Dream Play," the dream-like logic creates a flexible sense of time and space, merging the lines between reality and imagination. The character Agnes embodies a divine perspective and symbolizes human consciousness as it navigates the complex journey of life. Although "A Dream Play" was written before the formal Expressionist movement began, it anticipates many of its core ideas, especially the focus on subjective experience and the examination of the human mind. The characters' emotional states are often portrayed in heightened forms, showcasing their inner struggles instead of depicting an objective reality. Despite being created prior to the establishment of Surrealism, the play's dream-like structure and its focus on the unconscious hint at several Surrealist ideas. The seamless transitions between scenes and the often illogical, nonsensical conversations exemplify the style that would later be adopted by Surrealist artists and playwrights.