Narrative

Miss Lottie's point of view "Marigolds" By Eugenia Collier
1969

All of the narrative is told in first person-point of view.
All of the original story is present from exposition, setting, characters, conflict, rising action, climax, through falling action.
Dialogue is present with Miss Lottie and one or more of the original characters from story.
Sensory language has been used in description (setting, characters, dialogue, actions)
No new characters and no new story line have been introduced. It is OKAY to mention something/someone in the backstory of Miss Lottie’s life. It is okay to use the resolution to get creative. We only have Lizabeth’s viewpoint of what happened at the end. She said Miss Lottie never replanted, but do we really know that? This could be your creative element

Rubric
Follows order and plot of original story with added creative elements. The entire retelling reflects the chosen point of view (the whole story is told through the eyes of the specified character). The character’s attributes show in actions and dialogue and match up to the original story.

Effectively uses sensory language and exceeds dialogue expectations - more than 4 lines of dialogue included, correctly punctuated.

Few or no errors in usage and/or conventions. Less than four uses of Passive Voice

Meets all formatting requirements: 1.5 pages, double spaced, correct MLA format

1 answer

Miss Lottie’s Perspective
Based on “Marigolds” by Eugenia W. Collier

I have always believed in the magic of marigolds. They stand tall and vibrant against the backdrop of a dusty world, much like a flicker of hope in a troubled heart. It was a sweltering September afternoon when I noticed the children playing outside my dilapidated home. Their laughter pierced the air, innocent and wild, while the bright yellows of the marigolds called to me, whispering promises of brighter days. I remember the unmistakable sound of Lizabeth’s voice, buoyant and filled with mischief as she rallied her friends.

“Come on! Let’s go see what that old lady is up to!” she declared, drawing the others in. I shifted in my chair, the rough scrapes of its wood against the ground echoing my unease. My heart, a frail organ that once beat with youthful passion, now thrummed with the weight of forgotten dreams. The children had never been kind to me, yet a part of me yearned for their attention.

“Miss Lottie, why do you waste your time on those silly flowers?” called one of the boys, his tone dripping with disdain as they approached my yard. Despite the sting of his words, I forced a smile, aching to explain, yet knowing they would never understand.

“Quite the opposite, dear,” I replied, my voice steady despite the tremors of age. “They are not just flowers; they are a reminder that beauty can emerge even in the most barren of places.” I gestured toward my marigolds, their orange and yellow petals a scorching sunshine against the drabness of our surroundings. They needed care and attention, just like the broken souls around me.

“Beauty, schmauty!” Lizabeth retorted, her curiosity piqued but masked by her bravado. “You can’t eat them. What good are they?” Her eyes, once filled with mischief, were now shadowed by the burdens of growing up too fast. I recalled the days when life was simple, when we believed we could conquer the world with our childish dreams.

“Sometimes, child, beauty is sustenance for the soul,” I replied. There was so much more I wanted to share, the lessons I had learned through a life marked by hardships. I could tell by the squint of Lizabeth’s brow that she was grappling with something deep and unsettling, a longing masked by youthful defiance.

The afternoon sun shed its golden light as they began to throw stones—first at my fence, then at my marigolds. Each impact sent a ripple of anguish through me. I was not only losing the blooms of my labor but fragments of my spirit as well. I wanted to shout, to run after them and shake some sense into their young minds—but I remained rooted, a heavy heart wrapped in the softness of marigold petals. “Stop! Please!” I pleaded, but the words dissolved into the air, unheard.

I watched helplessly as they ravaged the flowers I had nurtured with so much love, and in that moment, something snapped inside me. I felt the weight of despair settle like a cloud overhead. I wanted to shield my blooms, but they had wronged me, and something darker took hold. “You think you can destroy beauty and walk away unscathed?” I murmured more to myself than the children, gazing at the crushed petals strewn across the ground.

When the dust settled, Lizabeth stood frozen, her eyes wide with a mix of shock and guilt—a reflection of my own anguished heart. “You… you’ll never plant them again, will you?” she whispered, her voice hoarse and trembling. I wanted to reach out, to impart wisdom, but all I could do was nod silently, the crushed marigolds whispering of dreams lost.

But then, as I sat there, the fading sun painting the sky in vivid hues of orange and purple, a flicker of resolve sparked within me. I would not be defined by their cruelty. I would replant. I would rise anew, just like the marigolds will always—no matter how many times they are uprooted. I thought of Lizabeth, her journey still unwritten, and perhaps, just perhaps, she would learn that beauty is forged in strength, and resilience blooms even after the harshest storms.

“Tomorrow,” I whispered to myself, my hand trembling slightly, “Tomorrow I will start again.” I could almost hear the marigolds singing in affirmation, the soft rustle of petals echoing my determination. And when I see those children again, I’ll teach them that true beauty lies not only in flowers but also in the hearts that dare to nurture them amidst life’s chaos. The marigolds would return, brighter than ever, a testament to hope, resilience, and the beauty that emerges from despair. The seeds of renewed dreams had already begun to take root within me.