In the opening chapters of The Picture of Dorian Gray, Oscar Wilde introduces us to three central characters: Dorian Gray, Lord Henry Wotton, and Basil Hallward. Each character is distinct, possessing unique traits that set the stage for the novel's exploration of beauty, morality, and hedonism.
Dorian Gray
Dorian is initially presented as a young and extraordinarily handsome man, characterized by his striking beauty and youth. He enters the story as a somewhat naive and impressionable figure, who is unaware of the power his looks hold over others. Dorian’s innocence and vulnerability make him a character that evokes both sympathy and fascination. As he interacts with Lord Henry, we see hints of his deeper desires and a longing to explore the world beyond his sheltered life, particularly in relation to the superficial allure of fame and pleasure.
Lord Henry Wotton
Lord Henry, often referred to simply as "Harry," is charismatic, witty, and cynical. He embodies the hedonistic worldview that Wilde critiques throughout the novel, espousing a philosophy that elevates aestheticism and the pursuit of pleasure above all else. His charm and cleverness can be both alluring and manipulative, as he often uses language to instill ideas and influence those around him, particularly Dorian. Lord Henry's hedonistic and somewhat nihilistic perspective introduces a dangerous allure to Dorian's life, highlighting the power of influence and the societal pressures surrounding youth and beauty.
Basil Hallward
Basil is an artist who becomes infatuated with Dorian’s beauty, seeing it as a source of inspiration for his work. He is depicted as sensitive and more earnest than the other two characters, deeply conscientious about the impact of art and beauty. Unlike Lord Henry, Basil values morality and authenticity. His admiration for Dorian is coupled with a sense of protectiveness, and he is aware of the potential consequences of the hedonistic lifestyle that Lord Henry advocates. Basil is characterized by his introspection and integrity, which set him in stark contrast to the more cynical views of Lord Henry.
Together, these three characters create a dynamic interplay of influence, desire, and moral questioning, establishing the foundation for the dramatic narrative that follows in The Picture of Dorian Gray.