I Am American by Jennifer Tibbets TIME: Present. SETTING: Bare stage. AT RISE: MAX LITTLEFOOT stands center. Behind him, THREE SILHOUETTES stand reaching upward toward the sky. As MAX LITTLEFOOT begins his speech, SILHOUETTES enact Amerindian dance to offstage drumbeat. MAX LITTLEFOOT: I am American. My ancestors have lived on this land since memory began. My tribal elders speak of a large turtle that rose out of the sea. This Turtle Island—Earth—provides everything we need. My ancestors could read the earth. They saw a scuff in the dirt and would find deer to hunt. They smelled the thawing riverbanks and knew salmon were on their way upstream to spawn. They touched the rough bark of a pine and it would become a strong wigwam. My ancestors were here before America was, when America was Turtle Island. Now we live on a reservation called Indian Island. There is still anger about how my people were treated. This is where I come from, though . . . it’s what I know, whatever it’s called. Tree roots don’t know the difference. Neither do I. I am American. (Drumbeat stops. MAX exits right. JANE BRADFORD enters left and walks down left. SILHOUETTES line up one behind the other up left and sway as though cramped together on a sailing ship, slowly making their way across the back of the stage. They quietly whistle wind sounds as they move.) JANE BRADFORD: I am American. My great-to-the-7th-power-grandfather sailed in 1634 into Massachusetts Bay during the Great Migration. In England he worked on land that he would never own because he was not “noble.” If he went to New England, and promised five years of service, then he would go from being a husbandman to a yeoman and own land. He chose New England, and when he arrived, he worked for one of the Puritan leaders. He took his whole family. They even brought the family cow, which cost more to bring than it did the family. They had to bring everything, though, because early on there were no grocery stores, or hardware stores, or anything. I Am American, by Jennifer Tibbetts © This play is reprinted from Plays, The Drama Magazine for Young People with the permission of the publisher Plays/Sterling Partners Inc. 897 Washington Street #600160, Newton, MA 02460 Question Which is the best description of the structure of this play?(1 point) Responses naturalistic dialogue between characters in a realistic setting naturalistic dialogue between characters in a realistic setting descriptive soliloquies accompanied by illustrative movement descriptive soliloquies accompanied by illustrative movement heightened drama at an epic, tragic scale heightened drama at an epic, tragic scale rapid farce with rhythmic action, entrances, and exits rapid farce with rhythmic action, entrances, and exits Skip to navigation

Answer 1

The best description of the structure of this play is descriptive soliloquies accompanied by illustrative movement.

This is evident in the way both MAX LITTLEFOOT and JANE BRADFORD deliver lengthy, introspective speeches (soliloquies) that reflect on their personal and cultural histories, while the SILHOUETTES engage in accompanying movements that enhance the emotional and thematic content of their words.