How does the interaction between Morton and the other man contribute to the story's plot?

Question

A.It showcases Morton’s temper and need for control.
B.It highlights Morton’s discomfort with confrontation.
C.It emphasizes Morton’s strength and bravery.
D.It reveals Morton’s disinterest in the situation.

It was still warm in the late afternoon sun, and the city noises came muffled1 through the trees in the park. She put her book down on the bench, removed her sunglasses, and sighed contentedly. Morton was reading the Times Magazine section, one arm flung around her shoulder; their three-year-old son, Larry, was playing in the sandbox: a faint breeze fanned her hair softly against her cheek. It was five-thirty on a Sunday afternoon, and the small playground, tucked away in a corner of the park, was all but deserted. The swings and seesaws stood motionless and abandoned, the slides were empty, and only in the sandbox two little boys squatted diligently2 side by side. How good this is, she thought, and almost smiled at her sense of well-being. They must go out in the sun more often; Morton was so city-pale, cooped up all week inside the gray factorylike university. She squeezed his arm affectionately and glanced at Larry, delighting in the pointed little face frowning in concentration over the tunnel he was digging. The other boy suddenly stood up and with a quick, deliberate swing of his chubby arm threw a spadeful3 of sand at Larry. It just missed his head. Larry continued digging, the boy remained standing, shovel raised, stolid4 and impassive.
2 “No, no, little boy.” She shook her finger at him, her eyes searching for the child’s mother or nurse. “We mustn’t throw sand. It may get in someone’s eyes and hurt. We must play nicely in the main sandbox.” The boy looked at her in unblinking expectancy. He was about Larry’s age but perhaps ten pounds heavier, a husky little boy with none of Larry’s quickness and sensitivity in his face. Where was his mother? The only other people left in the playground were two women and a little girl on roller skates leaving now through the gate, and a man on a bench a few feet away. He was a big man, and he seemed to be taking up the whole bench as he held the Sunday comics close to his face. She supposed he was the child’s father. He did not look up from his comics, but spat once deftly5 out of the corner of his mouth. She turned her eyes away.
3 At that moment, as swiftly as before, the fat little boy threw another spadeful of sand at Larry. This time some of it landed on his hair and forehead. Larry looked up at his mother, his mouth tentative;6 her expression would tell him whether to cry or not.
4 Her first instinct was to rush to her son, brush the sand out of his hair, and punish the other child, but she controlled it. She always said that she wanted Larry to learn to fight his own battles.
5 “Don’t do that, little boy,” she said sharply, leaning forward on the bench. “You mustn’t throw sand!”
6 The man on the bench moved his mouth as if to spit again, but instead he spoke. He did not look at her, but at the boy only.
7 “You go right ahead, Joe,” he said loudly. “Throw all you want. This here is a public sandbox.”
8 She felt a sudden weakness in her knees as she glanced at Morton. He had become aware of what was happening. He put his Times down carefully on his lap and turned his fine, lean face toward the man, smiling the shy, apologetic smile he might have offered a student in pointing out an error in his thinking. When he spoke to the man, it was with his usual reasonableness.
9 “You’re quite right,” he said pleasantly, “but just because this is a public place....”
10 The man lowered his funnies7 and looked at Morton. He looked at him from head to foot, slowly and deliberately. “Yeah?” His insolent8 voice was edged with menace. “My kid’s got just as good right here as yours, and if he feels like throwing sand, he’ll throw it, and if you don’t like it, you can take your kid the h— out of here.”
11 The children were listening, their eyes and mouths wide open, their spades forgotten in small fists. She noticed the muscle in Morton’s jaw tighten. He was rarely angry; he seldom9 lost his temper. She was suffused10 with a tenderness for her husband and an impotent11 rage against the man for involving him in a situation so alien and so distasteful to him.
12 “Now, just a minute,” Morton said courteously. “You must realize....”
13 “Aw, shut up,” said the man.
14 Her heart began to pound. Morton half rose; the Times slid to the ground. Slowly the other man stood up. He took a couple of steps toward Morton, then stopped. He flexed his great arms, waiting. She pressed her trembling knees together. Would violence, fighting? How dreadful, how incredible... She must do something, stop them, call for help. She wanted to put her hand on her husband’s sleeve, to pull him down, but for some reason she didn’t.
15 Morton adjusted his glasses. He was very pale. “This is ridiculous,” he said unevenly. I must ask you....”
16 “Oh, yeah?“ said the man. He stood with his legs spread apart, rocking a little, looking at Morton with utter scorn. “You and who else?”
17 For a moment the two men looked at each other, unguarded12. Morton turned his back on the man and said quietly, “Come on, let’s get out of here.“ He walked awkwardly, almost limping with self-consciousness, to the sandbox. He stooped and lifted Larry and his shovel out.
18 At once Larry came to life; his face lost its rapt13 expression and he began to kick and cry. “I don’t want to go home, I want to play better, I don’t want any supper, I don’t like supper....” It became a chant as they walked, pulling their child between them, his feet dragging on the ground. In order to get to the exit gate they had to pass the bench where the man sat sprawling14 again. She was careful not to look at him. With all the dignity she could summon, she pulled Larry’s sandy, perspiring little hand, while Morton pulled the other. Slowly and with head high she walked with her husband and child out of the playground.
19 Her first feeling was one of relief that a fight had been avoided, that no one was hurt. Yet beneath it there was a layer of something else, something heavy and inescapable. She sensed that it was more than just an unpleasant incident, more than defeat of reason by force. She felt dimly15 it had something to do with her and Morton, something acutely personal, familiar, and important.
20 Suddenly Morton spoke. “It wouldn’t have proved anything.”
21 “What?” she asked.
22 “A fight. It wouldn’t have proved anything beyond the fact that he’s bigger than I am.”
23 “Of course,” she said.
24 “The only possible outcome,” he continued reasonably, “would have been — what? My glasses broken, perhaps a tooth or two replaced, a couple of days’ work missed — and for what? For justice? For truth?”
25 “Of course,” she repeated. She quickened her step. She wanted only to get home and to busy herself with her familiar tasks; perhaps then the feeling, glued like heavy plaster on her heart, would be gone. Of all the stupid, despicable bullies, she thought, pulling harder on Larry’s hand. The child was still crying. Always before she had felt a tender pity for his defenseless little body, the frail arms, the narrow shoulders with sharp, winglike shoulder blades, the thin and unsure legs, but now her mouth tightened in resentment.16
26 “Stop crying,” she said sharply. “I’m ashamed of you!” She felt as if all three of them were tracking mud along the street. The child cried louder.
27 If there had been an issue involved, she thought, if there had been something to fight for…. But what else could he possibly have done? Allow himself to be beaten? Attempt to educate the man? Call a policeman? “Officer, there’s a man in the park who won't stop his child from throwing sand on mine....” The whole thing was as silly as that, and not worth thinking about.
28 “Can’t you keep him quiet, for Pete’s sake?” Morton asked irritably.
29 “What do you suppose I’ve been trying to do?” she said.
30 Larry pulled back, dragging his feet.
31 “If you can’t discipline this child, I will,” Morton snapped, making a move toward the boy. But her voice stopped him. She was shocked to hear it, thin and cold and penetrating with contempt.17 “Indeed?” she heard herself say. “You and who else?”

Answer 1

The interaction between Morton and the other man contributes to the story's plot primarily through the characterization of Morton and the dynamics of his response to confrontation. In particular, it highlights Morton’s discomfort with confrontation, making option B the most accurate choice.

Throughout the passage, Morton's unease and hesitation in standing up to the aggressive man are evident. He first tries to address the situation reasonably and courteously, which demonstrates his inclination towards diplomacy rather than conflict. When faced with hostility, he attempts to maintain composure but ultimately retreats from the confrontation, stating, “Come on, let’s get out of here.” This moment reveals his discomfort with the aggressive exchange and his preference to avoid conflict altogether, underscoring the tension between his rational approach and the reality of the situation.

Moreover, the outcome of the encounter leaves an emotional impact on both Morton and his wife, suggesting that this discomfort with confrontation has broader implications for their relationship and family dynamics. The incident becomes a reflection of their differing views on how to handle adversity, ultimately creating a sense of dissatisfaction and frustration in the aftermath. Therefore, the interaction serves to advance the plot by illustrating Morton's character and shaping the relationships within the family.