How does the author A. O Scott feel culturally in his book, the Lego ninjago movie sticks to the instruction manual

Answer 1

In "The Lego Ninjago Movie," A.O. Scott discusses how the film adheres to and simultaneously subverts traditional narratives found in both children's movies and the broader cultural landscape. He explores themes of identity, family dynamics, and the impact of media on childhood. Scott emphasizes that while the film may stick to the "instruction manual" of what a Lego movie typically entails—incorporating humor and adventure—it also offers deeper reflections on personal growth and the complexity of relationships.

Scott's critique suggests a nuanced understanding of how such films can engage with cultural norms while providing commentary on them. He appreciates the way "The Lego Ninjago Movie" employs clever humor and vibrant animation to explore significant themes, resonating with both younger and older audiences. Overall, he sees the film as a successful blend of entertainment and thoughtful storytelling, tapping into the cultural zeitgeist while maintaining its playful essence.

Answer 2

When Scott said this is where we’re at culturally, what did he mean by that

Answer 3

When A.O. Scott refers to “this is where we’re at culturally” in the context of "The Lego Ninjago Movie," he is commenting on the current state of culture, particularly in terms of media, storytelling, and the themes reflected in contemporary films. This phrase suggests that the film encapsulates certain prevailing trends and issues within society, including:

1. Complexity of Identity: Scott highlights how modern narratives often grapple with questions of identity and self-discovery, which are central to the characters in "The Lego Ninjago Movie." This reflects a broader cultural conversation about who we are and how our relationships shape our identities.

2. Family Dynamics: The exploration of family relationships and the challenges that come with them mirrors cultural discussions about modern family structures and dynamics.

3. Media Influence: Scott may also be addressing the pervasive influence of media and consumer culture in children’s lives. The film, through its Lego branding and playful aesthetics, can be seen as both a reflection and critique of how toys and media shape childhood experiences.

4. Nostalgia and Playfulness: The film taps into nostalgia for childhood while presenting it in a way that resonates with current audiences, demonstrating how cultural products often blend the past with contemporary themes.

Overall, Scott's comments point to a cultural moment where these themes are increasingly relevant, as audiences seek stories that resonate with their own experiences and reflect the complexities of modern life.