The author’s choice of an ending contributes to the story’s aesthetic appeal because it evokes a profound sense of irony and unexpected tragedy. This is supported by the text because in the beginning it states, “She breathed a quick prayer that life might be long,” and at the end, it states, “she had died of heart disease of joy that kills.” This shows the dramatic contrast between the protagonist’s hopes for a long and fulfilling life and the tragic irony that her dreams are abruptly shattered by her sister's husband's unexpected return, leading to her death. This twist emphasizes the fragility of happiness and the unpredictable nature of life, deepening the emotional impact of the story.
Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.
She arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom.
Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of accident, and did not even know there had been one. He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife.
But Richards was too late.
When the doctors came they said she had died of heart disease of joy that kills.
The author’s choice of an ending contributes to the story’s aesthetic appeal because __________. This is supported by the text because in the beginning it states “________ and at the end it states “ ___________”. This shows ________________.
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