Dusk by H.H. Munro (Saki) On the bench by his side sat an elderly gentleman with a drooping air of defiance that was probably the remaining vestige of self-respect in an individual who had ceased to defy successfully anybody or anything. His clothes could scarcely be called shabby, at least they passed muster in the half-light, but one’s imagination could not have pictured the wearer embarking on the purchase of a half-crown box of chocolates or laying out ninepence on a carnation buttonhole. He belonged unmistakably to that forlorn orchestra to whose piping no one dances; he was one of the world’s lamenters who induce no responsive weeping. As he rose to go Gortsby imagined him returning to a home circle where he was snubbed and of no account, or to some bleak lodging where his ability to pay a weekly bill was the beginning and end of the interest he inspired. His retreating figure vanished slowly into the shadows, and his place on the bench was taken almost immediately by a young man, fairly well dressed but scarcely more cheerful of mien than his predecessor. As if to emphasise the fact that the world went badly with him the newcomer unburdened himself of an angry and very audible expletive as he flung himself into the seat. “You don’t seem in a very good temper,” said Gortsby, judging that he was expected to take due notice of the demonstration. The young man turned to him with a look of disarming frankness which put him instantly on his guard. “You wouldn’t be in a good temper if you were in the fix I’m in,” he said; “I’ve done the silliest thing I’ve ever done in my life.” “Yes?” said Gortsby dispassionately. “Came up this afternoon, meaning to stay at the Patagonian Hotel in Berkshire Square,” continued the young man; “when I got there I found it had been pulled down some weeks ago and a cinema theatre run up on the site. The taxi driver recommended me to another hotel some way off and I went there. I just sent a letter to my people, giving them the address, and then I went out to buy some soap—I’d forgotten to pack any and I hate using hotel soap. Then I strolled about a bit, had a drink at a bar and looked at the shops, and when I came to turn my steps back to the hotel I suddenly realised that I didn’t remember its name or even what street it was in. There’s a nice predicament for a fellow who hasn’t any friends or connections in London! Of course I can wire to my people for the address, but they won’t have got my letter till to-morrow; meantime I’m without any money, came out with about a shilling on me, which went in buying the soap and getting the drink, and here I am, wandering about with twopence in my pocket and nowhere to go for the night.” There was an eloquent pause after the story had been told. “I suppose you think I’ve spun you rather an impossible yarn,” said the young man presently, with a suggestion of resentment in his voice. “Not at all impossible,” said Gortsby judicially; “I remember doing exactly the same thing once in a foreign capital, and on that occasion there were two of us, which made it more remarkable. Luckily we remembered that the hotel was on a sort of canal, and when we struck the canal we were able to find our way back to the hotel.” The youth brightened at the reminiscence. “In a foreign city I wouldn’t mind so much,” he said; “one could go to one’s Consul and get the requisite help from him. Here in one’s own land one is far more derelict if one gets into a fix. Unless I can find some decent chap to swallow my story and lend me some money I seem likely to spend the night on the Embankment. I’m glad, anyhow, that you don’t think the story outrageously improbable.” He threw a good deal of warmth into the last remark, as though perhaps to indicate his hope that Gortsby did not fall far short of the requisite decency. “Of course,” said Gortsby slowly, “the weak point of your story is that you can’t produce the soap.” The young man sat forward hurriedly, felt rapidly in the pockets of his overcoat, and then jumped to his feet. “I must have lost it,” he muttered angrily. “To lose an hotel and a cake of soap on one afternoon suggests wilful carelessness,” said Gortsby, but the young man scarcely waited to hear the end of the remark. He flitted away down the path, his head held high, with an air of somewhat jaded jauntiness. “It was a pity,” mused Gortsby; “the going out to get one’s own soap was the one convincing touch in the whole story, and yet it was just that little detail that brought him to grief. If he had had the brilliant forethought to provide himself with a cake of soap, wrapped and sealed with all the solicitude of the chemist’s counter, he would have been a genius in his particular line. In his particular line genius certainly consists of an infinite capacity for taking precautions.” With that reflection Gortsby rose to go; as he did so an exclamation of concern escaped him. Lying on the ground by the side of the bench was a small oval packet, wrapped and sealed with the solicitude of a chemist’s counter. It could be nothing else but a cake of soap, and it had evidently fallen out of the youth’s overcoat pocket when he flung himself down on the seat. In another moment Gortsby was scudding along the dusk-shrouded path in anxious quest for a youthful figure in a light overcoat. He had nearly given up the search when he caught sight of the object of his pursuit standing irresolutely on the border of the carriage drive, evidently uncertain whether to strike across the Park or make for the bustling pavements of Knightsbridge. He turned round sharply with an air of defensive hostility when he found Gortsby hailing him. “The important witness to the genuineness of your story has turned up,” said Gortsby, holding out the cake of soap; “it must have slid out of your overcoat pocket when you sat down on the seat. I saw it on the ground after you left. You must excuse my disbelief, but appearances were really rather against you, and now, as I appealed to the testimony of the soap I think I ought to abide by its verdict. If the loan of a sovereign is any good to you—” The young man hastily removed all doubt on the subject by pocketing the coin. “Here is my card with my address,” continued Gortsby; “any day this week will do for returning the money, and here is the soap—don’t lose it again it’s been a good friend to you.” “Lucky thing your finding it,” said the youth, and then, with a catch in his voice, he blurted out a word or two of thanks and fled headlong in the direction of Knightsbridge. “Poor boy, he as nearly as possible broke down,” said Gortsby to himself. “I don’t wonder either; the relief from his quandary must have been acute. It’s a lesson to me not to be too clever in judging by circumstances.” As Gortsby retraced his steps past the seat where the little drama had taken place he saw an elderly gentleman poking and peering beneath it and on all sides of it, and recognised his earlier fellow occupant. “Have you lost anything, sir?” he asked. “Yes, sir, a cake of soap.”

Use the excerpt from the story “Dusk” by H. H. Munro to answer the question. Which event helps develop theme of perception versus reality in the text? Select the three correct answers. (2 points) Responses Gortsby finds the soap and concludes that the young man’s story was true. Gortsby finds the soap and concludes that the young man’s story was true. The young man gets up and walks down the path away from Gortsby. The young man gets up and walks down the path away from Gortsby. Gortsby interprets the man’s actions as a performance intended to create sympathy. Gortsby interprets the man’s actions as a performance intended to create sympathy. Gortsby recalls a similar thing happening to him when he was in a foreign capital. Gortsby recalls a similar thing happening to him when he was in a foreign capital. Gortsby believes that the absence of a bar of soap means that the young man’s story is untrue. Gortsby believes that the absence of a bar of soap means that the young man’s story is untrue. The young man reaches into his pockets in search of the soap. The young man reaches into his pockets in search of the soap.

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The three events that help develop the theme of perception versus reality in the text are:

Gortsby finds the soap and concludes that the young man’s story was true. - This event highlights how Gortsby’s perception changes based on new evidence, shifting from skepticism to belief.

Gortsby believes that the absence of a bar of soap means that the young man’s story is untrue. - This demonstrates how Gortsby’s initial judgment is based on the evidence available to him, affecting his perception of reality.

The young man reaches into his pockets in search of the soap. - This action reflects the young man's reality and desperation, drawing attention to the discrepancy between his situation and Gortsby's earlier perception of him.

These events contribute to the overall theme by showcasing how judgments can be misled by appearances and circumstances, leading to a shift in perception when new information is revealed.

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Dusk by H.H. Munro (Saki) On the bench by his side sat an elderly gentleman with a drooping air of defiance that was probably the remaining vestige of self-respect in an individual who had ceased to defy successfully anybody or anything. His clothes could scarcely be called shabby, at least they passed muster in the half-light, but one’s imagination could not have pictured the wearer embarking on the purchase of a half-crown box of chocolates or laying out ninepence on a carnation buttonhole. He belonged unmistakably to that forlorn orchestra to whose piping no one dances; he was one of the world’s lamenters who induce no responsive weeping. As he rose to go Gortsby imagined him returning to a home circle where he was snubbed and of no account, or to some bleak lodging where his ability to pay a weekly bill was the beginning and end of the interest he inspired. His retreating figure vanished slowly into the shadows, and his place on the bench was taken almost immediately by a young man, fairly well dressed but scarcely more cheerful of mien than his predecessor. As if to emphasise the fact that the world went badly with him the newcomer unburdened himself of an angry and very audible expletive as he flung himself into the seat. “You don’t seem in a very good temper,” said Gortsby, judging that he was expected to take due notice of the demonstration. The young man turned to him with a look of disarming frankness which put him instantly on his guard. “You wouldn’t be in a good temper if you were in the fix I’m in,” he said; “I’ve done the silliest thing I’ve ever done in my life.” “Yes?” said Gortsby dispassionately. “Came up this afternoon, meaning to stay at the Patagonian Hotel in Berkshire Square,” continued the young man; “when I got there I found it had been pulled down some weeks ago and a cinema theatre run up on the site. The taxi driver recommended me to another hotel some way off and I went there. I just sent a letter to my people, giving them the address, and then I went out to buy some soap—I’d forgotten to pack any and I hate using hotel soap. Then I strolled about a bit, had a drink at a bar and looked at the shops, and when I came to turn my steps back to the hotel I suddenly realised that I didn’t remember its name or even what street it was in. There’s a nice predicament for a fellow who hasn’t any friends or connections in London! Of course I can wire to my people for the address, but they won’t have got my letter till to-morrow; meantime I’m without any money, came out with about a shilling on me, which went in buying the soap and getting the drink, and here I am, wandering about with twopence in my pocket and nowhere to go for the night.” There was an eloquent pause after the story had been told. “I suppose you think I’ve spun you rather an impossible yarn,” said the young man presently, with a suggestion of resentment in his voice. “Not at all impossible,” said Gortsby judicially; “I remember doing exactly the same thing once in a foreign capital, and on that occasion there were two of us, which made it more remarkable. Luckily we remembered that the hotel was on a sort of canal, and when we struck the canal we were able to find our way back to the hotel.” The youth brightened at the reminiscence. “In a foreign city I wouldn’t mind so much,” he said; “one could go to one’s Consul and get the requisite help from him. Here in one’s own land one is far more derelict if one gets into a fix. Unless I can find some decent chap to swallow my story and lend me some money I seem likely to spend the night on the Embankment. I’m glad, anyhow, that you don’t think the story outrageously improbable.” He threw a good deal of warmth into the last remark, as though perhaps to indicate his hope that Gortsby did not fall far short of the requisite decency. “Of course,” said Gortsby slowly, “the weak point of your story is that you can’t produce the soap.” The young man sat forward hurriedly, felt rapidly in the pockets of his overcoat, and then jumped to his feet. “I must have lost it,” he muttered angrily. “To lose an hotel and a cake of soap on one afternoon suggests wilful carelessness,” said Gortsby, but the young man scarcely waited to hear the end of the remark. He flitted away down the path, his head held high, with an air of somewhat jaded jauntiness. “It was a pity,” mused Gortsby; “the going out to get one’s own soap was the one convincing touch in the whole story, and yet it was just that little detail that brought him to grief. If he had had the brilliant forethought to provide himself with a cake of soap, wrapped and sealed with all the solicitude of the chemist’s counter, he would have been a genius in his particular line. In his particular line genius certainly consists of an infinite capacity for taking precautions.” With that reflection Gortsby rose to go; as he did so an exclamation of concern escaped him. Lying on the ground by the side of the bench was a small oval packet, wrapped and sealed with the solicitude of a chemist’s counter. It could be nothing else but a cake of soap, and it had evidently fallen out of the youth’s overcoat pocket when he flung himself down on the seat. In another moment Gortsby was scudding along the dusk-shrouded path in anxious quest for a youthful figure in a light overcoat. He had nearly given up the search when he caught sight of the object of his pursuit standing irresolutely on the border of the carriage drive, evidently uncertain whether to strike across the Park or make for the bustling pavements of Knightsbridge. He turned round sharply with an air of defensive hostility when he found Gortsby hailing him. “The important witness to the genuineness of your story has turned up,” said Gortsby, holding out the cake of soap; “it must have slid out of your overcoat pocket when you sat down on the seat. I saw it on the ground after you left. You must excuse my disbelief, but appearances were really rather against you, and now, as I appealed to the testimony of the soap I think I ought to abide by its verdict. If the loan of a sovereign is any good to you—” The young man hastily removed all doubt on the subject by pocketing the coin. “Here is my card with my address,” continued Gortsby; “any day this week will do for returning the money, and here is the soap—don’t lose it again it’s been a good friend to you.” “Lucky thing your finding it,” said the youth, and then, with a catch in his voice, he blurted out a word or two of thanks and fled headlong in the direction of Knightsbridge. “Poor boy, he as nearly as possible broke down,” said Gortsby to himself. “I don’t wonder either; the relief from his quandary must have been acute. It’s a lesson to me not to be too clever in judging by circumstances.” As Gortsby retraced his steps past the seat where the little drama had taken place he saw an elderly gentleman poking and peering beneath it and on all sides of it, and recognised his earlier fellow occupant. “Have you lost anything, sir?” he asked. “Yes, sir, a cake of soap.”
Use the excerpt from the story “Dusk” by H. H. Munro to answer the question. Which event helps develop theme of perception versus reality in the text? Select the three correct answers. (2 points) Responses Gortsby finds the soap and concludes that the young man’s story was true. Gortsby finds the soap and concludes that the young man’s story was true. The young man gets up and walks down the path away from Gortsby. The young man gets up and walks down the path away from Gortsby. Gortsby interprets the man’s actions as a performance intended to create sympathy. Gortsby interprets the man’s actions as a performance intended to create sympathy. Gortsby recalls a similar thing happening to him when he was in a foreign capital. Gortsby recalls a similar thing happening to him when he was in a foreign capital. Gortsby believes that the absence of a bar of soap means that the young man’s story is untrue. Gortsby believes that the absence of a bar of soap means that the young man’s story is untrue. The young man reaches into his pockets in search of the soap. The young man reaches into his pockets in search of the soap.

GPT-4o mini · Answer

The three events that help develop the theme of perception versus reality in the text are:

Gortsby finds the soap and concludes that the young man’s story was true. - This event highlights how Gortsby’s perception changes based on new evidence, shifting from skepticism to belief.
Gortsby believes that the absence of a bar of soap means that the young man’s story is untrue. - This demonstrates how Gortsby’s initial judgment is based on the evidence available to him, affecting his perception of reality.
The young man reaches into his pockets in search of the soap. - This action reflects the young man's reality and desperation, drawing attention to the discrepancy between his situation and Gortsby's earlier perception of him.

These events contribute to the overall theme by showcasing how judgments can be misled by appearances and circumstances, leading to a shift in perception when new information is revealed.