As Jessie climbed down into the rowboat, Lana scooted over on the bench to make room for her.


“We have to pick up Martin now,” Lana said, handing Jessie one of the oars. “And we should hurry so we can be long gone before the patrol barge comes by.”


Lana hadn’t told Mom where she was going. Her mother had been smoothing a washcloth over Damon’s forehead as Lana had headed out. When her mother had asked where she was off to, Lana had tossed out some vague explanation. It was better for Mom not to worry. She had enough to worry about these days. They all did. During tough times, we should try to help others.
During tough times, we should try to help others.

Mothers worry too much about their kids.
Mothers worry too much about their kids.

It is hard to help people by rowboat.
It is hard to help people by rowboat.

When there is a lot to worry about, it is best to hurry.

7 answers

As they paddled away from the shore, the gentle lapping of the water beneath the boat was a stark contrast to the tension knotting Lana’s stomach. She tried to steady her breathing, focusing on the rhythm of the oars slicing through the surface as Jessie matched her strokes.

“Do you think he’s okay?” Jessie asked, glancing over at Lana with concern etched across her face.

Lana nodded, though uncertainty flickered in her mind. “He has to be. We’re almost there.” She pointed toward the dim outline of the dock up ahead, partially obscured by the encroaching fog.

The sky was beginning to darken, and every faint sound seemed amplified— the creak of the boat, the distant call of a bird, the soft whisper of the wind. All these noises felt like warnings as they recalled the stories they had heard about patrols snagging unsuspecting kids out on the water.

“Do you really think it’s smart to go through with this?” Jessie broke the silence, her voice barely above a whisper. “What if they find us?”

Lana bit her lip, considering the question. What if they were caught? The repercussions wouldn’t just be for them; her mother had enough to handle without worrying about her daughter and her reckless choices. But then again, Martin needed help, and that was all that mattered right now.

“Even if it’s a risk,” Lana answered, determination creeping into her tone, “we can’t leave him behind. He needs us.”

As they approached the dock, the shadows cast by the trees loomed larger, more threatening. The patrol barge could be anywhere, and every moment spent lingering was a chance wasted.

“Okay, let's hurry,” Jessie said, a new resolve in her voice.

With one last push of the oars, they reached the moored boat. Lana hopped out and secured their rowboat as Jessie followed, scanning the darkness for any sign of Martin.

“Over here!” a familiar voice called, breaking through the uneasy silence.

Lana turned to see Martin emerging from the shadows, his face pale but determined. As she rushed toward him, relief flooded through her. But the urgency didn’t wane; they were still in a precarious situation.

“Did you see a patrol?” Martin asked, his eyes wide with apprehension.

“No, but we have to move quickly,” Lana replied as they hurried back to the rowboat. Time was of the essence, and every second felt stretched thin with possibility.

They all piled into the small vessel, and for a moment, the world narrowed down to just the three of them in the boat as they exchanged worried glances. The weight of their situation settled upon them, but one thought glimmered through the cloud of concern—they were together, and together, perhaps they could make it through this.

With a deep breath, Lana seized the oars again, her resolve hardening. They were going to keep moving, no matter what. They would figure it out, just like they always had. Adjusting to the weight they were collectively bearing would be the key.

Together, they rowed out into the darkness, the shore fading behind them, as they propelled themselves toward whatever lay ahead—an uncertain future, but a shared one.

which one

It seems you might be asking for a choice among the elements within the narrative provided. If you'd like to specify what you're referring to—perhaps a theme, a character's action, or a direction for the story—I can certainly help clarify or expand on that! Are you looking for a specific decision point in the story or something else? Let me know how I can assist you!

Lana hadn’t told Mom where she was going. Her mother had been smoothing a washcloth over Damon’s forehead as Lana had headed out. When her mother had asked where she was off to, Lana had tossed out some vague explanation. It was better for Mom not to worry. She had enough to worry about these days. They all did. During tough times, we should try to help others.
During tough times, we should try to help others.

Mothers worry too much about their kids.
Mothers worry too much about their kids.

It is hard to help people by rowboat.
It is hard to help people by rowboat.

When there is a lot to worry about, it is best to hurry.

The phrases you’ve repeated seem to reflect a thematic resonance in your narrative, emphasizing the tension between personal responsibility and familial concern in challenging situations. Each statement echoes a sentiment or tension that could be explored further in your story. Here’s a breakdown of the themes contained within your repetitions:

  1. The Need for Discretion: "Lana hadn’t told Mom where she was going" and "It is hard to help people by rowboat" suggest that actions taken in secrecy carry their own weight, particularly when those we care about are already burdened.

  2. Parental Concern: "Mothers worry too much about their kids" creates a contrast between Lana's desire to act and her awareness of her mother's anxiety, showcasing the generational divide in how each handles tough times.

  3. Helping Others: "During tough times, we should try to help others" underlines the story's moral compass and drives Lana's motivations. This idea drives home her commitment to helping Martin, even at great personal risk.

  4. Urgency Amidst Fear: "When there is a lot to worry about, it is best to hurry" conveys a sense of immediate action despite underlying fear—a theme that resonates in the decisions the characters are forced to make.

If you’re trying to develop these themes or choose a particular direction for your narrative, consider which aspect you most wish to emphasize. For instance, if you want to delve deeper into the conflict between Lana’s obligations to her mother and her desire to help, you could expand on her internal dialogue as she rows. Alternatively, if you want to heighten the sense of urgency and danger, you could introduce a complication, like an approaching patrol barge, which would crystallize these themes in a more dynamic way.

Would you like to explore any of these ideas further or focus more on a particular aspect?

pick one

Let's focus on the theme of parental concern: "Mothers worry too much about their kids." This theme is particularly rich and can deepen the emotional resonance of the story, highlighting the internal conflict Lana faces.

Revised Passage

Lana hadn't told Mom where she was going. Her mother had been smoothing a washcloth over Damon’s forehead as Lana headed out, her face drawn with worry. When her mother asked where she was off to, Lana had tossed out a vague explanation, the kind that felt flimsy even as it left her lips. It was better for Mom not to worry; she had enough on her plate these days. They all did.

As Lana rowed into the night, the thought of her mother gnawed at her. "Mothers worry too much about their kids," she reminded herself, but it didn't erase the guilt tightening in her chest. Mom's tired eyes and furrowed brow had haunted her all evening. If she knew Lana was out here, in the dark, chasing after Martin, how would she react? Would it add another layer of fear to her already burdened heart?

Lana stole a glance at Jessie, who was paddling intently beside her. "Do you think we're doing the right thing?" she asked, breaking the silence.

Jessie paused, her expression thoughtful. "We are helping Martin. That's what matters, right?"

But in that moment, doubt flickered through Lana's mind. It was hard to help people by rowboat when so many others needed assistance, too. What if something went wrong? What if their boat capsized, or if a patrol barge spotted them?

Still, Lana’s resolve strengthened with each stroke of the oar. She could imagine her mother pacing the small kitchen, the soft glow of the light illuminating the worry lines on her forehead. She knew that if she turned back now, every painful worry that lingered in her mother’s heart would only deepen.

"When there is a lot to worry about, it is best to hurry," Lana reminded herself, forcing her focus back to the water ahead. The urgency of their mission drowned out her guilt for the moment, propelling them forward into the unknown, where every wave they encountered felt like a step toward something greater than individual worries.


This revision deepens Lana's internal conflict regarding her mother while still driving the plot forward. If you’d like further modifications or wish to explore another theme, feel free to let me know!