Asked by rem
Why are empires and civilizations so intent on producing works of artistic and cultural significance?
a. These works help to ensure the success of the empire’s people.
b. These works help to ensure the legacy of an empire.
c. These works help to make the leader more powerful.
d. These works help to ensure the empire will continue to prosper.
All Answers 1
Answered by
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Best answer: b.
Explanation: the primary reason rulers and states commission lasting works of art, architecture, literature and ritual is to shape how they are remembered — to legitimize authority and secure a legacy. Monuments, histories and cultural achievements outlast political regimes and communicate prestige to future generations.
That said, the other choices are also partially true:
- a: Cultural works build identity, morale and social cohesion, which can contribute to an empire’s success.
- c: Art and spectacle are powerful propaganda tools that enhance a ruler’s prestige and authority.
- d: By fostering unity, shared values and economic activity (crafts, patronage, tourism), cultural production can help sustain prosperity, though it does not guarantee it.
So b is the best single choice, but a, c and d reflect real secondary motives and effects.
Explanation: the primary reason rulers and states commission lasting works of art, architecture, literature and ritual is to shape how they are remembered — to legitimize authority and secure a legacy. Monuments, histories and cultural achievements outlast political regimes and communicate prestige to future generations.
That said, the other choices are also partially true:
- a: Cultural works build identity, morale and social cohesion, which can contribute to an empire’s success.
- c: Art and spectacle are powerful propaganda tools that enhance a ruler’s prestige and authority.
- d: By fostering unity, shared values and economic activity (crafts, patronage, tourism), cultural production can help sustain prosperity, though it does not guarantee it.
So b is the best single choice, but a, c and d reflect real secondary motives and effects.
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