Asked by bob
write a 3 paragraph creative write about being in Jurgis' shoes, working at the meatpacking plant; Durham Leaf and seeing all of this on your first day of being there. In your creative write, I want you to talk about how you would feel walking into the plant on your first day and seeing the conditions in which you're expected to perform your duties/tasks. Include in your response, 2 reasons as to why someone might want to/might not want to make a living working there and explain your reasonings. Make sure to cite 2 jobs/duties mentioned from the story in your responses
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The first time I push through the swinging doors of Durham Leaf, the world I thought I knew ends at the smell — a hot, metallic stench that clings to my throat and forces a cough out of me before I can think. Men move like a single animal under a roof: a river of elbows and aprons, hooks clanking overhead, conveyor belts humming, and the hiss of steam lifting from scalding vats. Light falls in thin, sickly strips between hanging carcasses; blood runs in dark spiders across the flagstones. My hands go numb in the cold of the killing beds, and for a moment I am simply a body among bodies, expected to learn how to pull a knife and make it true. Fear and a stubborn kind of pride sit together in my belly — fear of what I am to do, pride that I will do it for my family.
Before my first hour is out they put me where the men are busiest: alongside the hogs to be slaughtered, to learn the steady, awful rhythm of sticking and bleeding, and later at the packing tables, filling barrels and crating meat for the trains. The work is not elegant — the task is to kill, to cut, to press meat into tins and barrels until your shoulders burn — and the foreman watches like a hawk for the slow hand. Already I taste blood on my lips and feel the ache that comes from standing in cold, wet floors, but there is also the blunt education of skill: once you know how to gut a hog cleanly or pack a ham so it will not leak, you are no longer the green boy in the doorway. The jobs here — slaughtering hogs and packing meat into barrels — are taught quickly, with no softness, and the plant expects you to perform as if you were born to it.
Why would someone choose this life? Two reasons: first, the work is steady and paid in coins a man can count at the end of the week — there is a certainty here, horrible as it is, that other work in the city cannot promise. For an immigrant with mouths to feed, the plant’s demand for labor and the possibility of overtime mean survival. Second, there is opportunity for a kind of advancement; learn the trade and you can move from crude labor into a more skilled post, maybe even a foreman’s job, which brings a better wage and a little power. Why would someone refuse it? Two reasons: the cost to body and soul. The conditions breed injury and disease — wet floors, sharp knives, crushing machinery, and the constant filth mean a broken arm or a fever can come fast. Equally, the moral weight of doing such work every day — handling dead animals, watching the waste and corruption of meat for the market — eats at a man; it hardens him in ways that money cannot justify. Standing there on my first day, knife in my numb hand, I understand both pulls with a clarity that leaves me hollow and determined all at once.
Before my first hour is out they put me where the men are busiest: alongside the hogs to be slaughtered, to learn the steady, awful rhythm of sticking and bleeding, and later at the packing tables, filling barrels and crating meat for the trains. The work is not elegant — the task is to kill, to cut, to press meat into tins and barrels until your shoulders burn — and the foreman watches like a hawk for the slow hand. Already I taste blood on my lips and feel the ache that comes from standing in cold, wet floors, but there is also the blunt education of skill: once you know how to gut a hog cleanly or pack a ham so it will not leak, you are no longer the green boy in the doorway. The jobs here — slaughtering hogs and packing meat into barrels — are taught quickly, with no softness, and the plant expects you to perform as if you were born to it.
Why would someone choose this life? Two reasons: first, the work is steady and paid in coins a man can count at the end of the week — there is a certainty here, horrible as it is, that other work in the city cannot promise. For an immigrant with mouths to feed, the plant’s demand for labor and the possibility of overtime mean survival. Second, there is opportunity for a kind of advancement; learn the trade and you can move from crude labor into a more skilled post, maybe even a foreman’s job, which brings a better wage and a little power. Why would someone refuse it? Two reasons: the cost to body and soul. The conditions breed injury and disease — wet floors, sharp knives, crushing machinery, and the constant filth mean a broken arm or a fever can come fast. Equally, the moral weight of doing such work every day — handling dead animals, watching the waste and corruption of meat for the market — eats at a man; it hardens him in ways that money cannot justify. Standing there on my first day, knife in my numb hand, I understand both pulls with a clarity that leaves me hollow and determined all at once.
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