Asked by Wolf Haley
use less big words Mikaal Sulaiman uses experimental, immersive sound to make plays more powerful and to talk about social and political issues. Immersive means the sound surrounds the audience and makes you feel like you’re inside the story. He trained in Lecoq and avant‑garde theatre (a kind of experimental training) and he also helps write and create shows, which leads to unusual formats—like plays you listen to on headphones. His sound designs for new plays like Fairview and Underground Railroad Game use texture, space, and audio to show ideas about race, history, and identity. He usually works with other artists to try new forms and uses sound as part of the story, not just background.
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Mikaal Sulaiman uses surrounding sound to make plays stronger and to talk about social and political issues. Surrounding sound means the audio comes from all around the audience so you feel inside the story. He trained in Lecoq and in experimental theatre, and he helps write and shape shows. That leads to unusual formats, like plays you listen to on headphones. His sound work for new plays such as Fairview and Underground Railroad Game uses different sound textures, where sounds come from, and audio effects to explore race, history, and identity. He often works with other artists to try new forms, and he uses sound as part of the story, not just as background.
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