Asked by Wolf Haley
make this sound like an 8th grader A clear through-line in Mikaal Sulaiman’s work is experimental, immersive sound used to deepen and shape socially and politically charged theatre. His Lecoq/avant‑garde training and frequent writing/devising inform unconventional formats (for example a headphone play), while his sound designs for new, premiere plays like Fairview and Underground Railroad Game show a focus on using texture, space and audio to amplify issues of race, history and identity. He consistently works on new, collaborative theatre that pushes form and uses sound as a storytelling and sensory device.
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Mikaal Sulaiman uses experimental, immersive sound to make plays more powerful and to talk about social and political issues. Immersive means the sound surrounds the audience and makes you feel like you’re inside the story. He trained in Lecoq and avant‑garde theatre (a kind of experimental training) and he also helps write and create shows, which leads to unusual formats—like plays you listen to on headphones. His sound designs for new plays like Fairview and Underground Railroad Game use texture, space, and audio to show ideas about race, history, and identity. He usually works with other artists to try new forms and uses sound as part of the story, not just background.
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