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The Codex Borgia, a pre-Hispanic Mesoamerican manuscript, provides extensive details on rituals, divination, and the 260-day calendar system of the Aztec civilization. While largely showcasing authentic, pre-contact imagery of deities and ceremonial practices, certain late additions to the manuscript show subtle, stylized influences from European illustration techniques, likely added after the Spanish conquest. Consequently, scholars argue that the Codex Borgia_
A. is not a reliable source for understanding the pre-Columbian religious practices of the Aztecs.
B. should be analyzed as a purely colonial-era document rather than an indigenous artifact.
C. acts as a hybrid text, blending traditional artistic conventions with adaptations made during the early colonial period.
D. was created entirely by a European artist who had traveled to the Aztec capital.

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C. acts as a hybrid text, blending traditional artistic conventions with adaptations made during the early colonial period.

Explanation: the manuscript is largely pre-contact and indigenous in content and style, but contains later European-influenced additions, so scholars treat it as a syncretic or hybrid document rather than purely pre-Columbian or entirely European.