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Surrealism, modernism, and cubism were important artistic developments that occurred in the post-World War I era. Suppose you investigated the work of Martha Graham, Gertrude Stein, and Luigi Pirandello. In 3-5 sentences, describe how their work reflected post-World War I values and developments.

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Martha Graham broke from classical ballet to create an anguished, highly physical modern dance vocabulary (contraction and release) that embodied inner psychological states and the trauma-driven, anti-traditional impulse of the postwar era. Gertrude Stein’s repetitive, non-linear prose and radical syntax—often compared to cubist fragmentation—refused conventional narrative and perspective, capturing the fractured sense of reality and the modernists’ search for new forms to express postwar dislocation. Luigi Pirandello’s metatheatrical dramas (notably Six Characters in Search of an Author) dissolved boundaries between actor and role and questioned fixed identity and objective truth, expressing the period’s skepticism, existential uncertainty, and interest in multiple perspectives.