Question

The Bridge of Blossoms: The Andean Festival of Q’eswachaka
High in the Peruvian Andes, where valleys carve deep into the earth and clouds drift low enough to touch, an unusual bridge stretches across the Apurímac River. The Q’eswachaka Bridge is not built from steel or concrete—it is woven entirely from grass. For more than 500 years, it has been renewed annually in a ceremony that blends engineering, storytelling, and ancestral honor.

Q’eswachaka is constructed from a tough native grass called q’oya. Weeks before the festival, villagers from the surrounding provinces cut, dry, and twist the grass into long cables. The old bridge is dismantled, strand by strand, while the new one slowly takes shape beside it. This is no ordinary rebuild—it is a communal performance filled with song, prayer, and guiding chants from elders whose families have preserved these techniques for generations.

Anthropologists who have studied Q’eswachaka note that the bridge exists not only as a functional crossing but also as a living artifact. Its ropes carry stories of survival through Inca history—a time when such woven suspension bridges spanned canyons to link remote communities. Today, the renewal ceremony is recognized by UNESCO as part of the world’s intangible cultural heritage, underscoring its importance beyond local use.

In modern Peru, concrete highways and steel overpasses dominate transport. Yet each June, Q’eswachaka is remade without machinery, reminding participants that progress and tradition need not cancel one another. The villagers believe the act of building together strengthens the “human bridge” that ties their communities. For younger generations, the festival is also a lesson in patience: the fibers must be twisted just right, the knots tightened perfectly, or the bridge will fail.

Watching the finished span swaying slightly over the Apurímac is a reminder that knowledge woven across centuries can still hold firm today—not in defiance of change, but along with it.

Question
In “a living artifact,” the word “artifact” most closely means:
Responses
A fictional creation
A fictional creation
Any man-made tool
Any man-made tool
An object carrying cultural and historical significance
An object carrying cultural and historical significance
An old worthless item
An old worthless item

Answer 1

An object carrying cultural and historical significance.

Reason: In the passage, "living artifact" refers to the bridge as a man-made object that embodies and transmits cultural and historical meaning through ongoing use and ceremony.