Asked by Alto saxaphone
Match the description with the correct composition
Mozart's Clarinet Concerto in A major, K. 622
Chopin's Nocturn No. 2 in E-flat Major, op. 9, no. 2
Bach's Fugue in G Minor, BWV 578
Beethoven's Symphony No. 5 in C Minor, op. 67
It is an example of complex counterpoint
Its melodic leaps are filled in with more and more notes as the piece proceeds
It must be modified to be played on a modern instrumeent
It is thought to represent a battle between the Hero and Fate
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- Mozart — Clarinet Concerto in A major, K. 622: It must be modified to be played on a modern instrument (originally written for the basset clarinet; performances often adapt for standard A clarinet or use a modern basset clarinet).
- Chopin — Nocturne No. 2 in E-flat major, Op. 9 No. 2: Its melodic leaps are filled in with more and more notes as the piece proceeds (ornamentation and embellishment grow through the piece).
- Bach — Fugue in G minor, BWV 578: It is an example of complex counterpoint (a textbook fugue with interweaving voices).
- Beethoven — Symphony No. 5 in C minor, Op. 67: It is thought to represent a battle between the Hero and Fate (the famous "fate knocking" motif and dramatic struggle).
- Chopin — Nocturne No. 2 in E-flat major, Op. 9 No. 2: Its melodic leaps are filled in with more and more notes as the piece proceeds (ornamentation and embellishment grow through the piece).
- Bach — Fugue in G minor, BWV 578: It is an example of complex counterpoint (a textbook fugue with interweaving voices).
- Beethoven — Symphony No. 5 in C minor, Op. 67: It is thought to represent a battle between the Hero and Fate (the famous "fate knocking" motif and dramatic struggle).
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