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Jude the Obscure, Chapter I
Thomas Hardy
The schoolmaster was leaving the village, and everybody seemed sorry. The miller at Cresscombe lent him the small white tilted cart and horse to carry his goods to the city of his destination, about twenty miles off, such a vehicle proving of quite sufficient size for the departing teacher's effects. For the schoolhouse had been partly furnished by the managers, and the only cumbersome article possessed by the master, in addition to the packing-case of books, was a cottage piano that he had bought at an auction during the year in which he thought of learning instrumental music. But the enthusiasm having waned he had never acquired any skill in playing, and the purchased article had been a perpetual trouble to him ever since in moving house.
The rector had gone away for the day, being a man who disliked the sight of changes. He did not mean to return till the evening, when the new school-teacher would have arrived and settled in, and everything would be smooth again.
The blacksmith, the farm bailiff, and the schoolmaster himself were standing in perplexed attitudes in the parlour before the instrument. The master had remarked that even if he got it into the cart he should not know what to do with it on his arrival at Christminster, the city he was bound for, since he was only going into temporary lodgings just at first.
A little boy of eleven, who had been thoughtfully assisting in the packing, joined the group of men, and as they rubbed their chins he spoke up, blushing at the sound of his own voice: "Aunt have got a great fuel-house, and it could be put there, perhaps, till you've found a place to settle in, sir."
"A proper good notion," said the blacksmith.
It was decided that a deputation should wait on the boy's aunt—an old maiden resident—and ask her if she would house the piano till Mr. Phillotson should send for it. The smith and the bailiff started to see about the practicability of the suggested shelter, and the boy and the schoolmaster were left standing alone.
"Sorry I am going, Jude?" asked the latter kindly.
Tears rose into the boy's eyes, for he was not among the regular day scholars, who came unromantically close to the schoolmaster's life, but one who had attended the night school only during the present teacher's term of office. The regular scholars, if the truth must be told, stood at the present moment afar off, like certain historic disciples, indisposed to any enthusiastic volunteering of aid.
The boy awkwardly opened the book he held in his hand, which Mr. Phillotson had bestowed on him as a parting gift, and admitted that he was sorry.
"So am I," said Mr. Phillotson.
"Why do you go, sir?" asked the boy.
"Ah—that would be a long story. You wouldn't understand my reasons, Jude. You will, perhaps, when you are older."
"I think I should now, sir."
"Well—don't speak of this everywhere. You know what a university is, and a university degree? It is the necessary hallmark of a man who wants to do anything in teaching. My scheme, or dream, is to be a university graduate, and then to be ordained. By going to live at Christminster, or near it, I shall be at headquarters, so to speak, and if my scheme is practicable at all, I consider that being on the spot will afford me a better chance of carrying it out than I should have elsewhere."
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Do you want a summary, analysis, continuation, or something else about this chapter? Here’s a short summary plus a few quick notes to help you decide.
Short summary
- Mr. Phillotson, the village schoolmaster, is leaving for Christminster (a university town) to try to obtain a degree and eventually be ordained. He plans to board temporarily in the city, so he’s worried about moving his few belongings—especially a cottage piano he bought but never learned to play.
- Locals help with packing; a thoughtful eleven-year-old boy, Jude, who attended the school’s night classes, offers to have his aunt store the piano until Mr. Phillotson needs it.
- Jude is upset that Mr. Phillotson is leaving; the teacher gives a brief, somewhat mysterious explanation that Jude will understand when older, then admits his aim is to be at “headquarters” (Christminster) to pursue his university dream.
Quick notes (themes/characters)
- Characters: Mr. Phillotson (steady, aspirational schoolmaster), Jude Fawley (sensitive, bright boy who cares for Phillotson); supporting villagers (practical, conventional).
- Themes introduced: education and aspiration; rural vs. urban/academic life; sympathy and small-town ties; foreshadowing of Jude’s future significance.
- Tone/style: Hardy’s descriptive, slightly ironic narration; careful scene-setting and social observation.
What would you like next?
- A fuller summary of the chapter
- A chapter-by-chapter summary of the whole novel
- Literary analysis (themes, motifs, style)
- Character study (Jude, Phillotson, others)
- Discussion questions or essay prompts
- A modern-language paraphrase
- Continue with the next chapter (I can provide or summarize)
Tell me which and I’ll proceed.
Short summary
- Mr. Phillotson, the village schoolmaster, is leaving for Christminster (a university town) to try to obtain a degree and eventually be ordained. He plans to board temporarily in the city, so he’s worried about moving his few belongings—especially a cottage piano he bought but never learned to play.
- Locals help with packing; a thoughtful eleven-year-old boy, Jude, who attended the school’s night classes, offers to have his aunt store the piano until Mr. Phillotson needs it.
- Jude is upset that Mr. Phillotson is leaving; the teacher gives a brief, somewhat mysterious explanation that Jude will understand when older, then admits his aim is to be at “headquarters” (Christminster) to pursue his university dream.
Quick notes (themes/characters)
- Characters: Mr. Phillotson (steady, aspirational schoolmaster), Jude Fawley (sensitive, bright boy who cares for Phillotson); supporting villagers (practical, conventional).
- Themes introduced: education and aspiration; rural vs. urban/academic life; sympathy and small-town ties; foreshadowing of Jude’s future significance.
- Tone/style: Hardy’s descriptive, slightly ironic narration; careful scene-setting and social observation.
What would you like next?
- A fuller summary of the chapter
- A chapter-by-chapter summary of the whole novel
- Literary analysis (themes, motifs, style)
- Character study (Jude, Phillotson, others)
- Discussion questions or essay prompts
- A modern-language paraphrase
- Continue with the next chapter (I can provide or summarize)
Tell me which and I’ll proceed.
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