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Match the description to the appropriate composition.(2 points)
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It is an example of complex counterpoint. Press enter key to drop response here. It was later turned into a ballet by Nijinsky. Press enter key to drop response here. Its melodic leaps are filled in with more and more notes as the piece proceeds. Press enter key to drop response here. It is thought to represent a battle between the Hero and Fate. Press enter key to drop response here. It must be modified to be played on a modern instrument. Press enter key to drop response here.
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Select to move response to a response input area. Chopin's Nocturne No. 2 in E-flat Major, op. 9, no. 2Select to move response to a response input area.Bach's Fugue in G Minor, BWV 578Select to move response to a response input area. Mozart's Clarinet Concerto in A Major, K. 622Select to move response to a response input area.Debussy's Prélude à “L'Après-midi d'un faune” (Prelude to “The Afternoon of a Faun”)Select to move response to a response input area.Beethoven's Symphony No. 5 in C Minor, op. 67
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It is an example of complex counterpoint. — Bach's Fugue in G Minor, BWV 578
It was later turned into a ballet by Nijinsky. — Debussy's Prélude à “L'Après-midi d'un faune”
Its melodic leaps are filled in with more and more notes as the piece proceeds. — Chopin's Nocturne No. 2 in E-flat Major, op. 9, no. 2
It is thought to represent a battle between the Hero and Fate. — Beethoven's Symphony No. 5 in C Minor, op. 67
It must be modified to be played on a modern instrument. — Mozart's Clarinet Concerto in A Major, K. 622
It was later turned into a ballet by Nijinsky. — Debussy's Prélude à “L'Après-midi d'un faune”
Its melodic leaps are filled in with more and more notes as the piece proceeds. — Chopin's Nocturne No. 2 in E-flat Major, op. 9, no. 2
It is thought to represent a battle between the Hero and Fate. — Beethoven's Symphony No. 5 in C Minor, op. 67
It must be modified to be played on a modern instrument. — Mozart's Clarinet Concerto in A Major, K. 622
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