Question
Whose tunes were Americans humming in the early 1800s? Whose music would have been at the top of the 1800s charts? The answer is Francis Johnson. Johnson was the king of composition during the first years of the 19th century, a Black American musical revolutionary. His accomplishments are even more remarkable considering that he thrived during a time of enslavement.
Johnson was born in Philadelphia, Pennsylvania, in 1792, right when America was just finding its footing as a nation. A musical genius, Johnson started with the violin. He also became known for his talent with brass horn instruments like the bugle, keyed bugle, and cornet. Johnson was a composer, too. He produced arrangements for more than 200 pieces of music. His style ranged from traditional ballroom ballads to patriotic marches. And guess what? Johnson was also a band leader. Talk about talent!
Creative people are inspired by the world around them. In Johnson's day, there was a lot going on. Like in 1824, when the Marquis de Lafayette, a Revolutionary War hero, returned to the United States for a big triumphal tour. Johnson composed some welcome music. Since Lafayette was a big deal, those tunes really caught on. They became the soundtrack for the French general's visit to America.
But wait! There's more! Johnson was the first to do a lot of stuff. He may have been the first Black American composer to conduct bands in public places. In 1817, his Collection of New Cotillions was published. So he may have also been the first Black American to have musical compositions printed. He also led the very first American band abroad. They traveled to England to play for Queen Victoria after she took the throne in the late 1830s.
Johnson accomplished all he did at a time when enslavement was still legal in at least half of the country. People were bitterly divided about whether it should be allowed in developing territories. Johnson was born free in Pennsylvania and became a celebrity. He still faced racism throughout his life, though. He and his band played to large crowds of both Black and White audiences in big cities. They received plenty of praise in some places. But in others, they weren't so welcome.
Johnson promoted racial equality through his music. He gave music lessons to children of all races. He also showcased his heritage and racial pride. Johnson composed songs to recognize Haiti's revolt against France in 1804. And he wrote a song in support of the American movement to end enslavement.
Johnson was a trendsetter and an innovator. He was truly a forefather of American music. It was rare for anyone back then to be a full-time musician, yet Johnson was able to make a name for himself before the Civil War, during a period of segregation. That makes his success extra special. He may not be as well-known as 20th-century Black jazz pioneers like Louis Armstrong or Duke Ellington. But Johnson's contributions to the history of American music will never be forgotten.
Question 5
5 / 8
The Article states:
[Johnson] may have been the first Black American composer to conduct bands in public places. In 1817, his Collection of New Cotillions was published. So he may have also been the first Black American to have musical compositions printed. He also led the very first American band abroad. They traveled to England to play for Queen Victoria after she took the throne in the late 1830s.
The author's purpose for writing this passage was to __________.
compare Johnson's musical successes to those of later jazz pioneers Duke Ellington and Louis Armstrong
demonstrate the need for more Black composers in American music based on what Johnson was able to achieve
show how successful Johnson was as a Black musician despite living during times of enslavement and segregation
suggest that Johnson would not have been as successful if he had not played for Queen Victoria in England
Johnson was born in Philadelphia, Pennsylvania, in 1792, right when America was just finding its footing as a nation. A musical genius, Johnson started with the violin. He also became known for his talent with brass horn instruments like the bugle, keyed bugle, and cornet. Johnson was a composer, too. He produced arrangements for more than 200 pieces of music. His style ranged from traditional ballroom ballads to patriotic marches. And guess what? Johnson was also a band leader. Talk about talent!
Creative people are inspired by the world around them. In Johnson's day, there was a lot going on. Like in 1824, when the Marquis de Lafayette, a Revolutionary War hero, returned to the United States for a big triumphal tour. Johnson composed some welcome music. Since Lafayette was a big deal, those tunes really caught on. They became the soundtrack for the French general's visit to America.
But wait! There's more! Johnson was the first to do a lot of stuff. He may have been the first Black American composer to conduct bands in public places. In 1817, his Collection of New Cotillions was published. So he may have also been the first Black American to have musical compositions printed. He also led the very first American band abroad. They traveled to England to play for Queen Victoria after she took the throne in the late 1830s.
Johnson accomplished all he did at a time when enslavement was still legal in at least half of the country. People were bitterly divided about whether it should be allowed in developing territories. Johnson was born free in Pennsylvania and became a celebrity. He still faced racism throughout his life, though. He and his band played to large crowds of both Black and White audiences in big cities. They received plenty of praise in some places. But in others, they weren't so welcome.
Johnson promoted racial equality through his music. He gave music lessons to children of all races. He also showcased his heritage and racial pride. Johnson composed songs to recognize Haiti's revolt against France in 1804. And he wrote a song in support of the American movement to end enslavement.
Johnson was a trendsetter and an innovator. He was truly a forefather of American music. It was rare for anyone back then to be a full-time musician, yet Johnson was able to make a name for himself before the Civil War, during a period of segregation. That makes his success extra special. He may not be as well-known as 20th-century Black jazz pioneers like Louis Armstrong or Duke Ellington. But Johnson's contributions to the history of American music will never be forgotten.
Question 5
5 / 8
The Article states:
[Johnson] may have been the first Black American composer to conduct bands in public places. In 1817, his Collection of New Cotillions was published. So he may have also been the first Black American to have musical compositions printed. He also led the very first American band abroad. They traveled to England to play for Queen Victoria after she took the throne in the late 1830s.
The author's purpose for writing this passage was to __________.
compare Johnson's musical successes to those of later jazz pioneers Duke Ellington and Louis Armstrong
demonstrate the need for more Black composers in American music based on what Johnson was able to achieve
show how successful Johnson was as a Black musician despite living during times of enslavement and segregation
suggest that Johnson would not have been as successful if he had not played for Queen Victoria in England
Answers
GPT-5 mini
show how successful Johnson was as a Black musician despite living during times of enslavement and segregation
The passage lists his pioneering achievements and notes the barriers of enslavement and racism to emphasize his success.
The passage lists his pioneering achievements and notes the barriers of enslavement and racism to emphasize his success.