Question
Write an thematic statement on this excerpt from nathaniel hawthorne, at mininum of 200 words
As he dipped the pitcher into the water, it gladdened his very heart to see it change from gold into the same good, honest earthen vessel which it had been before he touched it. He was conscious, also, of a change within himself. A cold, hard, and heavy weight seemed to have gone out of his bosom. No doubt, his heart had been gradually losing its human substance, and transmuting itself into insensible metal, but had now softened back again into flesh. Perceiving a violet, that grew on the bank of the river, Midas touched it with his finger, and was overjoyed to find that the delicate flower retained its purple hue, instead of undergoing a yellow blight. The curse of the Golden Touch had, therefore, really been removed from him.
King Midas hastened back to the palace; and, I suppose, the servants knew not what to make of it when they saw their royal master so carefully bringing home an earthen pitcher of water. But that water, which was to undo all the mischief that his folly had wrought, was more precious to Midas than an ocean of molten gold could have been. The first thing he did, as you need hardly be told, was to sprinkle it by handfuls over the golden figure of little Marygold.
No sooner did it fall on her than you would have laughed to see how the rosy color came back to the dear child's cheek and how she began to sneeze and sputter!--and how astonished she was to find herself dripping wet, and her father still throwing more water over her!
"Pray do not, dear father!" cried she. "See how you have wet my nice frock, which I put on only this morning!"
For Marygold did not know that she had been a little golden statue; nor could she remember anything that had happened since the moment when she ran with outstretched arms to comfort poor King Midas.
Her father did not think it necessary to tell his beloved child how very foolish he had been, but contented himself with showing how much wiser he had now grown. For this purpose, he led little Marygold into the garden, where he sprinkled all the remainder of the water over the rose-bushes, and with such good effect that above five thousand roses recovered their beautiful bloom. There were two circumstances, however, which, as long as he lived, used to put King Midas in mind of the Golden Touch. One was, that the sands of the river sparkled like gold; the other, that little Marygold's hair had now a golden tinge, which he had never observed in it before she had been transmuted by the effect of his kiss. This change of hue was really an improvement, and made Marygold's hair richer than in her babyhood.
When King Midas had grown quite an old man, and used to trot Marygold's children on his knee, he was fond of telling them this marvellous story, pretty much as I have now told it to you. And then would he stroke their glossy ringlets, and tell them that their hair, likewise, had a rich shade of gold, which they had inherited from their mother.
"And to tell you the truth, my precious little folks," quoth King Midas, diligently trotting the children all the while, "ever since that morning, I have hated the very sight of all other gold, save this!"
As he dipped the pitcher into the water, it gladdened his very heart to see it change from gold into the same good, honest earthen vessel which it had been before he touched it. He was conscious, also, of a change within himself. A cold, hard, and heavy weight seemed to have gone out of his bosom. No doubt, his heart had been gradually losing its human substance, and transmuting itself into insensible metal, but had now softened back again into flesh. Perceiving a violet, that grew on the bank of the river, Midas touched it with his finger, and was overjoyed to find that the delicate flower retained its purple hue, instead of undergoing a yellow blight. The curse of the Golden Touch had, therefore, really been removed from him.
King Midas hastened back to the palace; and, I suppose, the servants knew not what to make of it when they saw their royal master so carefully bringing home an earthen pitcher of water. But that water, which was to undo all the mischief that his folly had wrought, was more precious to Midas than an ocean of molten gold could have been. The first thing he did, as you need hardly be told, was to sprinkle it by handfuls over the golden figure of little Marygold.
No sooner did it fall on her than you would have laughed to see how the rosy color came back to the dear child's cheek and how she began to sneeze and sputter!--and how astonished she was to find herself dripping wet, and her father still throwing more water over her!
"Pray do not, dear father!" cried she. "See how you have wet my nice frock, which I put on only this morning!"
For Marygold did not know that she had been a little golden statue; nor could she remember anything that had happened since the moment when she ran with outstretched arms to comfort poor King Midas.
Her father did not think it necessary to tell his beloved child how very foolish he had been, but contented himself with showing how much wiser he had now grown. For this purpose, he led little Marygold into the garden, where he sprinkled all the remainder of the water over the rose-bushes, and with such good effect that above five thousand roses recovered their beautiful bloom. There were two circumstances, however, which, as long as he lived, used to put King Midas in mind of the Golden Touch. One was, that the sands of the river sparkled like gold; the other, that little Marygold's hair had now a golden tinge, which he had never observed in it before she had been transmuted by the effect of his kiss. This change of hue was really an improvement, and made Marygold's hair richer than in her babyhood.
When King Midas had grown quite an old man, and used to trot Marygold's children on his knee, he was fond of telling them this marvellous story, pretty much as I have now told it to you. And then would he stroke their glossy ringlets, and tell them that their hair, likewise, had a rich shade of gold, which they had inherited from their mother.
"And to tell you the truth, my precious little folks," quoth King Midas, diligently trotting the children all the while, "ever since that morning, I have hated the very sight of all other gold, save this!"
Answers
GPT-4o mini
In Nathaniel Hawthorne’s excerpt about King Midas, a profound thematic statement emerges about the nature of true value and the redemptive power of love and human connection. The narrative illustrates how King Midas, initially consumed by greed and the desire for wealth, undergoes a transformative journey that brings him to the realization that genuine fulfillment cannot be measured in gold. His transition from a cold, metallic existence back to a warm-hearted father demonstrates the conflict between materialism and emotional richness.
As Midas dips the pitcher into the water, witnessing its transformation from gold to an honest earthen vessel, he experiences an internal change reflecting his newfound understanding of what truly matters. This act symbolizes a revival of humanity and genuine feelings, underscoring the idea that wealth can often blind individuals to the more profound joys and connections in life. The recovery of his daughter Marygold from her golden encasement serves as a poignant reminder that the bonds of family and love are irreplaceable treasures that far outweigh any material possession.
Thus, Hawthorne critiques a society enamored with superficial riches while illustrating that true happiness stems from genuine relationships and the inherent beauty of life itself. Midas’ ultimate disdain for material gold, save for the golden essence within his family, reveals that the most valuable treasures are those rooted in love, compassion, and the warmth of human connection.
As Midas dips the pitcher into the water, witnessing its transformation from gold to an honest earthen vessel, he experiences an internal change reflecting his newfound understanding of what truly matters. This act symbolizes a revival of humanity and genuine feelings, underscoring the idea that wealth can often blind individuals to the more profound joys and connections in life. The recovery of his daughter Marygold from her golden encasement serves as a poignant reminder that the bonds of family and love are irreplaceable treasures that far outweigh any material possession.
Thus, Hawthorne critiques a society enamored with superficial riches while illustrating that true happiness stems from genuine relationships and the inherent beauty of life itself. Midas’ ultimate disdain for material gold, save for the golden essence within his family, reveals that the most valuable treasures are those rooted in love, compassion, and the warmth of human connection.