What is your understanding of the adoption triad’s narrative burden? If one considers Ballard’s (2013: 229) definition of the narrative burden as “the context and the crucible wherein adoptees struggle with issues of racism, privacy, and identity formation”, could one not argue that Angela Tucker imposes a narrative burden on her first- and adoptive parents in the documentary Closure (dir. Tucker, 2013). By providing a thorough analysis of this documentary as an adoption narrative, reflect on whether the narrative burden applies only to adoptees and whether it is possible for one or more members of the triad to impose a similar burden on other members of the triad. what possible thesis statement can i draw from this?

1 answer

Your inquiry into the adoption triad's narrative burden, particularly in relation to Angela Tucker's documentary "Closure," raises compelling questions about the dynamics of storytelling and identity within adoption. The adoption triad—consisting of the adoptee, birth parents, and adoptive parents—presents a complex interplay of narratives and experiences, where the burden of these narratives can be shared, imposed, or negotiated among its members.

Based on Ballard's definition of narrative burden, it can indeed be argued that Angela Tucker's film imposes a narrative burden not only on herself as an adoptee but also on her first and adoptive parents. By exploring her journey of search, identity, and connection with her birth family, the film invites reflection on the painful and complex issues surrounding adoption, such as racism, identity formation, and the intimate psychological struggles faced by each member of the triad.

In the documentary, Tucker is both an active participant and a storyteller, thus positioning herself in a way that demands her first and adoptive parents to confront their own narratives and the residual impacts of their roles in her life. They may experience their own narratives being reshaped or challenged by Tucker's search for meaning, belonging, and closure.

Therefore, it is reasonable to assert that the narrative burden does not apply solely to adoptees. Parents, both adoptive and biological, may also carry and impose burdens as their stories intertwine with that of the adoptee. This interplay can complicate relationships and reveal broader social issues related to race, identity, and personal histories.

A potential thesis statement that encapsulates these dynamics could be:

"In Angela Tucker's documentary 'Closure,' the narrative burden of adoption transcends the adoptee's experience, revealing how both adoptive and birth parents are compelled to navigate the complexities of identity, racism, and emotional legacy, ultimately suggesting that the narratives within the adoption triad are interdependent and mutually influential."

This thesis highlights the shared nature of the narrative burden and opens the door for analysis of how each member of the triad, through their experiences and stories, contributes to a collective narrative that shapes their identities and relationships.