The painting that would fail to capture the essence of the poem would be a painting of Molly kneeling on a bloody battlefield, receiving a token of gratitude from George Washington. This depiction emphasizes a moment of reverence and gratitude rather than the action, determination, and defiance that Molly displays throughout the poem. The poem highlights her bravery and her role in continuing to fight after her husband's death, rather than a scene of mourning or receiving thanks.
Molly Maguire at Monmouth by William Collins [Sidenote: June 28, 1778] The battle of Monmouth was indecisive, but the Americans held the field, and the British retreated and remained inactive for the rest of the summer. On the bloody field of Monmouth Flashed the guns of Greene and Wayne. Fiercely roared the tide of battle, Thick the sward was heaped with slain. Foremost, facing death and danger, Hessian, horse, and grenadier, In the vanguard, fiercely fighting, Stood an Irish Cannonier. Loudly roared his iron cannon, Mingling ever in the strife, And beside him, firm and daring, Stood his faithful Irish wife. Of her bold contempt of danger Greene and Lee's Brigades could tell, Every one knew "Captain Molly," And the army loved her well. Surged the roar of battle round them, Swiftly flew the iron hail, Forward dashed a thousand bayonets, That lone battery to assail. From the foeman's foremost columns Swept a furious fusillade, Mowing down the massed battalions In the ranks of Greene's Brigade. Fast and faster worked the gunner, Soiled with powder, blood, and dust, English bayonets shone before him, Shot and shell around him burst; Still he fought with reckless daring, Stood and manned her long and well, Till at last the gallant fellow Dead—beside his cannon fell. With a bitter cry of sorrow, And a dark and angry frown, Looked that band of gallant patriots At their gunner stricken down. "Fall back, comrades, it is folly Thus to strive against the foe." "No! not so," cried Irish Molly; "We can strike another blow." * * * * * Quickly leaped she to the cannon, In her fallen husband's place, Sponged and rammed it fast and steady, Fired it in the foeman's face. Flashed another ringing volley, Roared another from the gun; "Boys, hurrah!" cried gallant Molly, "For the flag of Washington." Greene's Brigade, though shorn and shattered, Slain and bleeding half their men, When they heard that Irish slogan, Turned and charged the foe again. Knox and Wayne and Morgan rally, To the front they forward wheel, And before their rushing onset Clinton's English columns reel. Still the cannon's voice in anger Rolled and rattled o'er the plain, Till there lay in swarms around it Mangled heaps of Hessian slain. "Forward! charge them with the bayonet!" 'Twas the voice of Washington, And there burst a fiery greeting From the Irish woman's gun. Monckton falls; against his columns Leap the troops of Wayne and Lee, And before their reeking bayonets Clinton's red battalions flee. Morgan's rifles, fiercely flashing, Thin the foe's retreating ranks, And behind them onward dashing Ogden hovers on their flanks. Fast they fly, these boasting Britons, Who in all their glory came, With their brutal Hessian hirelings To wipe out our country's name. Proudly floats the starry banner, Monmouth's glorious field is won, And in triumph Irish Molly Stands beside her smoking gun. Use the passage to answer the question. Which of the following describes a painting that would fail to capture the essence of the poem? (1 point) Responses a painting of Molly kneeling on a bloody battlefield, receiving a token of gratitude from George Washington a painting of Molly kneeling on a bloody battlefield, receiving a token of gratitude from George Washington a painting of Molly, cradling her dead husband’s body, weeping with sadness a painting of Molly, cradling her dead husband’s body, weeping with sadness a painting of Molly that makes her appearance look similar to Athena, the Roman goddess of war a painting of Molly that makes her appearance look similar to Athena, the Roman goddess of war a painting of Molly standing next to her husband, who is covered in bandages
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