Question

Golding uses the barbaric dance in Lord of the Flies to symbolize the boys’ complete descent into savagery, showing how mob mentality erases individual thought and morality. The dance’s chaotic rhythm and repetition emphasize the overpowering nature of groupthink, stripping the boys of their ability to reason. When the boys chant, “Kill the beast! Cut his throat! Spill his blood!”, the repetitive, violent language mirrors the way their humanity is being consumed by bloodlust, making the act feel inevitable rather than a choice. The tragic breakdown of communication is clear when Simon, the one character who understands the true nature of the "beast," tries to reveal the truth, but his voice is drowned out by the hysteria of the chant. Golding describes Simon’s death in passive, detached language—"Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon’s dead body moved out towards the open sea."—creating a contrast between the violent murder and the peaceful return of his body to nature. This shift in tone emphasizes the senselessness of his death and the boys' failure to recognize their own moral collapse. Additionally, Golding’s use of dark imagery, such as the storm and flashing lightning, reinforces the idea that civilization has completely unraveled, and there is no longer any force holding the boys back from their primal instincts. Through these rhetorical moves—repetition, passive voice, and contrasting imagery—Golding portrays the tragedy of Simon’s death as not just an individual loss, but as the final moment where reason and civilization are fully destroyed by the savage impulses within the boys.

. rephrase like a 8th grader and keep anything in quotation the same and shorten down to 170 words

Answer 1

In "Lord of the Flies," Golding uses the boys' barbaric dance to show their complete descent into savagery, highlighting how groupthink can erase individual thought and morality. The chaotic rhythm of the dance shows the overwhelming nature of mob mentality, making the boys forget how to think for themselves. When they chant, “Kill the beast! Cut his throat! Spill his blood!”, the violent repetition emphasizes how their humanity is taken over by bloodlust, turning their actions into something they feel they have to do, not a choice. The breakdown in communication is evident when Simon—the one who understands the real “beast”—tries to share his insights but gets drowned out by the wild chanting. Golding describes Simon’s death in a calm way: “Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon’s dead body moved out towards the open sea.” This peaceful imagery contrasts with his violent murder, showing the senselessness of his death and the boys' complete moral collapse.