he missing dead.
Roger Fenton uses visual composition in Valley of the Shadow of Death to depict the loss of war by placing cannonballs in a barren landscape, which serves as a powerful symbol of war. The starkness of the landscape coupled with the presence of the cannonballs evokes the destructiveness and desolation of battle, hinting at both the violence that has occurred and the absence of life that follows. This composition emphasizes the somber reality and tragic consequences of war, rather than glorifying it.