Question
I've been asked if I can try to perfect my joke-telling skills. So here I am, accosting strangers with a list of gags. I agreed to the challenge because jokes have never really been my thing. Telling a funny story? Sure. But this purest form of comedy, which so unashamedly screams "Laugh at me!" has always been a struggle.
So getting tips from the comedian Lucy Porter was a welcome offer.
We headed to the busy station so she could observe me telling jokes "cold," without any prior guidance. To put it mildly, it wasn't great. To put it accurately, it was excruciating and only one person laughed.
After the baptism by fire, Lucy and I sat down for a quick lesson, so she could indicate where my flaws are. Unsurprisingly, it's my manner. "First of all, you were unbelievably rigid, physically," she said, suggesting I should appear "confident and happy" while doing my comedy business. Second, I needed more variation in my voice and more belief in the funniness of the joke I'm telling: "If they trust that you're going to make them laugh, they will laugh," Lucy assured me.
Less encouragingly, she says that telling punch line jokes is "probably the toughest kind of comedy to do. I wouldn't do what you're doing." It turns out people don't just laugh because they pity you – it actually has to be funny.
After our pep talk, I'm back by the station. "If I believe I'm funny, they will think I'm funny," I tell myself as I approach a man in purple denim who, based on that outfit, simply has to be up for a laugh.
I tell a joke involving a man in a grocery store. I do funny voices for each of the characters; my posture is relaxed; I am relaxed; the joke is funny. The man grimaces for a couple of seconds, says "very funny," and walks off.
My next attempts have mixed reactions. Some people really laugh, and some people really do not. I will admit it was a good feeling when people laughed: I was relieved, of course, but it is also satisfying to know a stranger thinks you are funny.
Lucy taught me some useful things, mainly that delivery is almost all that matters. I also learned that joke telling is a lot harder than it seems. It's a real performance, which makes you very vulnerable, whether you are a professional comedian, or just with your friends telling jokes in the pub. Every joke-teller put themselves through a trial to make people smile.
I can safely say I won't be going up to people in the street to tell jokes again, but Lucy has taught me that if you think you're funny, the chances of other people agreeing are a lot higher.
Oh, and the giraffe punch line? "Because they have really smelly feet." It's how you tell 'em.
Read Less ▲
Two-Part Question
Part A
Multiple Choice Question
Which choice best states a lesson that the author learned in telling jokes?
A.
Telling good jokes is a lot like giving a performance.
B.
It is important to know what the audience finds funny.
C.
Joke telling is best left to professional comedians.
D.
The joke itself is more important than its delivery.
Part B
Multiple Choice Question
Which sentence from the passage best supports the answer to Part A?
A.
After the baptism by fire, Lucy and I sat down for a quick lesson, so she could indicate where my flaws are.
B.
Less encouragingly, she says that telling punch line jokes is "probably the toughest kind of comedy to do . . ."
C.
I do funny voices for each of the characters; my posture is relaxed; I am relaxed; the joke is funny.
D.
The man grimaces for a couple of seconds, says "very funny," and walks off.
So getting tips from the comedian Lucy Porter was a welcome offer.
We headed to the busy station so she could observe me telling jokes "cold," without any prior guidance. To put it mildly, it wasn't great. To put it accurately, it was excruciating and only one person laughed.
After the baptism by fire, Lucy and I sat down for a quick lesson, so she could indicate where my flaws are. Unsurprisingly, it's my manner. "First of all, you were unbelievably rigid, physically," she said, suggesting I should appear "confident and happy" while doing my comedy business. Second, I needed more variation in my voice and more belief in the funniness of the joke I'm telling: "If they trust that you're going to make them laugh, they will laugh," Lucy assured me.
Less encouragingly, she says that telling punch line jokes is "probably the toughest kind of comedy to do. I wouldn't do what you're doing." It turns out people don't just laugh because they pity you – it actually has to be funny.
After our pep talk, I'm back by the station. "If I believe I'm funny, they will think I'm funny," I tell myself as I approach a man in purple denim who, based on that outfit, simply has to be up for a laugh.
I tell a joke involving a man in a grocery store. I do funny voices for each of the characters; my posture is relaxed; I am relaxed; the joke is funny. The man grimaces for a couple of seconds, says "very funny," and walks off.
My next attempts have mixed reactions. Some people really laugh, and some people really do not. I will admit it was a good feeling when people laughed: I was relieved, of course, but it is also satisfying to know a stranger thinks you are funny.
Lucy taught me some useful things, mainly that delivery is almost all that matters. I also learned that joke telling is a lot harder than it seems. It's a real performance, which makes you very vulnerable, whether you are a professional comedian, or just with your friends telling jokes in the pub. Every joke-teller put themselves through a trial to make people smile.
I can safely say I won't be going up to people in the street to tell jokes again, but Lucy has taught me that if you think you're funny, the chances of other people agreeing are a lot higher.
Oh, and the giraffe punch line? "Because they have really smelly feet." It's how you tell 'em.
Read Less ▲
Two-Part Question
Part A
Multiple Choice Question
Which choice best states a lesson that the author learned in telling jokes?
A.
Telling good jokes is a lot like giving a performance.
B.
It is important to know what the audience finds funny.
C.
Joke telling is best left to professional comedians.
D.
The joke itself is more important than its delivery.
Part B
Multiple Choice Question
Which sentence from the passage best supports the answer to Part A?
A.
After the baptism by fire, Lucy and I sat down for a quick lesson, so she could indicate where my flaws are.
B.
Less encouragingly, she says that telling punch line jokes is "probably the toughest kind of comedy to do . . ."
C.
I do funny voices for each of the characters; my posture is relaxed; I am relaxed; the joke is funny.
D.
The man grimaces for a couple of seconds, says "very funny," and walks off.
Answers
GPT-4o mini
**Part A**
The best choice that states a lesson the author learned in telling jokes is:
**A. Telling good jokes is a lot like giving a performance.**
**Part B**
The sentence from the passage that best supports the answer to Part A is:
**C. I do funny voices for each of the characters; my posture is relaxed; I am relaxed; the joke is funny.**
This sentence exemplifies the performance aspect of joke telling, highlighting the author's focus on delivery and engagement.
The best choice that states a lesson the author learned in telling jokes is:
**A. Telling good jokes is a lot like giving a performance.**
**Part B**
The sentence from the passage that best supports the answer to Part A is:
**C. I do funny voices for each of the characters; my posture is relaxed; I am relaxed; the joke is funny.**
This sentence exemplifies the performance aspect of joke telling, highlighting the author's focus on delivery and engagement.