The best way for the author to develop conflict between the characters through a monologue would be to have Pip listen to the character delivering the monologue in secret and learn his true motives. This method creates tension and conflict by revealing hidden intentions and feelings that may not be openly discussed, setting the stage for a confrontation or a deepening rift between the characters as Pip grapples with his understanding of the other character's true nature.
A playwright is writing a play that stars Pip and another character.
The author wants to use a monologue in the play to develop conflict between the characters. What would be the best way for the author to do this?
(1 point)
Responses
have Pip interrupt the character delivering the monologue and voice his own views
have Pip interrupt the character delivering the monologue and voice his own views
have Pip agree with the character delivering the monologue and decide to offer support
have Pip agree with the character delivering the monologue and decide to offer support
have Pip observe the character delivering the monologue and wonder about its purpose
have Pip observe the character delivering the monologue and wonder about its purpose
have Pip listen to the character delivering the monologue in secret and learn his true motives
1 answer
1 answer