Which line of dialogue might an author give to a character in a narrative to build indirect characterization?(1 point)

Responses

"The landscaper did a great job, and we are pleased," stated Susan as she admired the boxwoods.
"The landscaper did a great job, and we are pleased," stated Susan as she admired the boxwoods.

"You must forgive me," Sarah implored. "I still have not finished the book, and I need to borrow it one more week."
"You must forgive me," Sarah implored. "I still have not finished the book, and I need to borrow it one more week."

"Gina has black hair," recalled Morris, "and almost every time I see her, she's also wearing horn-rimmed glasses and boots."
"Gina has black hair," recalled Morris, "and almost every time I see her, she's also wearing horn-rimmed glasses and boots."

"I don't think I have ever been more excited," Molly told her mother. "I have always wanted to go to an amusement park!"

1 answer

The line of dialogue that best builds indirect characterization is:

"I don't think I have ever been more excited," Molly told her mother. "I have always wanted to go to an amusement park!"

This statement reveals Molly's personality, interests, and enthusiasm without directly stating her characteristics. It shows her excitement and eagerness, providing insights into her character.