A museum curator is writing a biographical statement about Trinidadian-born Chinese dancer, choreographer, and teacher Dai Ailian for a new exhibit on Chinese dance. The curator claims that some of the pieces Dai created shortly after arriving in mainland China in 1941, such as the solo dance Yao Drum, reflect a desire to represent the dances of local communities Dai visited during her travels through China.

Which quotation from a work by a dance historian would be the most effective evidence for the curator to include in support of this claim?
Choose 1 answer:
Choose 1 answer:
(Choice A) “Unlike some of the works Dai created in the early 1940s, Yao Drum does not feature a narrative structure, humorous elements, or references to real-life events.”
A
“Unlike some of the works Dai created in the early 1940s, Yao Drum does not feature a narrative structure, humorous elements, or references to real-life events.”
(Choice B) “There is no sound or music accompanying Dai’s movements in Yao Drum, aside from the sounds of drumsticks beating against a drum and against each other.”
B
“There is no sound or music accompanying Dai’s movements in Yao Drum, aside from the sounds of drumsticks beating against a drum and against each other.”
(Choice C) “Yao Drum was inspired by a ceremonial dance Dai witnessed during her time performing field research among the Yao people in the province of Guizhou in 1941 or 1942.”
C
“Yao Drum was inspired by a ceremonial dance Dai witnessed during her time performing field research among the Yao people in the province of Guizhou in 1941 or 1942.”
(Choice D) “Yao Drum is notable for its intense physicality, with Dai performing sharp jumps, swift turns, and dramatic sweeps of her legs through the air as she moves in circles on the stage.”
D
“Yao Drum is notable for its intense physicality, with Dai performing sharp jumps, swift turns, and dramatic sweeps of her legs through the air as she moves in circles on the stage.”