Rosemary Fell was not exactly beautiful. No, you couldn’t have called her beautiful. Pretty? Well, if you took her to pieces. . . . But why be so cruel as to take anyone to pieces? She was young, brilliant, extremely modern, exquisitely well dressed, amazingly well read in the newest of the new books, and her parties were the most delicious mixture of the really important people and . . . artists—quaint creatures, discoveries of hers, some of them too terrifying for words, but others quite presentable and amusing. Rosemary had been married two years. She had a duck of a boy. No, not Peter—Michael. And her husband absolutely adored her. They were rich, really rich, not just comfortably well off, which is odious and stuffy and sounds like one’s grandparents. But if Rosemary wanted to shop she would go to Paris as you and I would go to Bond Street. If she wanted to buy flowers, the car pulled up at that perfect shop in Regent Street, and Rosemary inside the shop just gazed in her dazzled, rather exotic way, and said: “I want those and those and those. Give me four bunches of those. And that jar of roses. Yes, I’ll have all the roses in the jar. No, no lilac. I hate lilac. It’s got no shape.” The attendant bowed and put the lilac out of sight, as though this was only too true; lilac was dreadfully shapeless. “Give me those stumpy little tulips. Those red and white ones.” And she was followed to the car by a thin shop girl staggering under an immense white paper armful that looked like a baby in long clothes. . . . One winter afternoon she had been buying something in a little antique shop in Curzon Street. It was a shop she liked. For one thing, one usually had it to oneself. And then the man who kept it was ridiculously fond of serving her. He beamed whenever she came in. He clasped his hands; he was so gratified he could scarcely speak. Flattery, of course. All the same, there was something. . . . “You see, madam,” he would explain in his low respectful tones, “I love my things. I would rather not part with them than sell them to someone who does not appreciate them, who has not that fine feeling which is so rare. . . .” And, breathing deeply he unrolled a tiny square of blue velvet and pressed it on the glass counter with his pale finger-tips. Today it was a little box. He had been keeping it for her. He had shown it to nobody as yet. An exquisite little enamel box with a glaze so fine it looked as though it had been baked in cream. On the lid a minute creature stood under a flowery tree, and a more minute creature still had her arms around his neck. Her hat, really no bigger than a geranium petal, hung from a branch; it had green ribbons. And there was a pink cloud like a watchful cherub floating above their heads. Rosemary took her hands out of her long gloves. She always took off her gloves to examine such things. Yes, she liked it very much. She loved it; it was a great duck. She must have it. And, turning the creamy box, opening and shutting it, she couldn’t help noticing how charming her hands were against the blue velvet. The shop man, in some dim cavern of his mind, may have dared to think so too. For he took a pencil, leant over the counter, and his pale bloodless fingers crept timidly towards those rosy, flashing ones, as he murmured gently: “If I may venture to point out to madam, the flowers on the little lady’s bodice.” “Charming!” Rosemary admired the flowers. But what was the price? For a moment the shop man did not seem to hear. Then a murmur reached her. “Twenty-eight guineas, madame.” “Twenty-eight guineas.” Rosemary gave no sign. She laid the little box down; she buttoned her gloves again. Twenty-eight guineas. Even if one is rich. . . . She looked vague. She stared at a plump tea-kettle like a plump hen above the shop man’s head, and her voice was dreamy as she answered: “Well, keep it for me—will you? I’ll. . . .” But the shop man had already bowed as though keeping it for her was all any human being could ask. He would be willing, of course, to keep it for her for ever. The discreet door shut with a click. She was outside on the step, gazing at the winter afternoon. Rain was falling, and with the rain it seemed the dark came too, spinning down like ashes. There was a cold bitter taste in the air, and the new-lighted lamps looked sad. Sad were the lights in the houses opposite. Dimly they burned as if regretting something. And people hurried by, hidden under their hateful umbrellas. Rosemary felt a strange pang. She pressed her muff to her breast; she wished she had the little box, too, to cling to. Of course, the car was there. She’d only to cross the pavement. But still she waited. There are moments, horrible moments in life, when one emerges from shelter and looks out, and it’s awful. One oughtn’t to give way to them. One ought to go home and have an extra-special tea. But at the very instant of thinking that, a young girl, thin, dark, shadowy—where had she come from?—was standing at Rosemary’s elbow and a voice like a sigh, almost like a sob, breathed: “Madame, may I speak to you a moment?” “Speak to me?” Rosemary turned. She saw a little battered creature with enormous eyes, someone quite young, no older than herself, who clutched at her coat-collar with reddened hands, and shivered as though she had just come out of the water. “M-madame,” stammered the voice. “Would you let me have the price of a cup of tea?” “A cup of tea?” There was something simple, sincere in that voice; it wasn’t in the least the voice of a beggar. “Then have you no money at all?” asked Rosemary. “None, madam,” came the answer. “How extraordinary!” Rosemary peered through the dusk, and the girl gazed back at her. How more than extraordinary! And suddenly it seemed to Rosemary such an adventure. It was like something out of a novel by Dostoevsky, this meeting in the dusk. Supposing she took the girl home? Supposing she did do one of those things she was always reading about or seeing on the stage, what would happen? It would be thrilling. And she heard herself saying afterwards to the amazement of her friends: “I simply took her home with me,” as she stepped forward and said to that dim person beside her: “Come home to tea with me.” The girl drew back startled. She even stopped shivering for a moment. Rosemary put out a hand and touched her arm. “I mean it,” she said, smiling. And she felt how simple and kind her smile was. “Why won’t you? Do. Come home with me now in my car and have tea.”

Question

Use the excerpt from the beginning of “A Cup of Tea” by Katherine Mansfield to answer the question. Why would Rosemary be considered a complex character?

A. Rosemary observes her surroundings in a way that makes the cultural and historical context clear.
B. The story is told from Rosemary’s point of view to allow her thoughts and feelings to be the main perspective.
C. The story has two main characters but is mainly about Rosemary, who is present throughout the story.
D. Rosemary has complicated thoughts and motivations about the choices she makes.

Answer 1

D. Rosemary has complicated thoughts and motivations about the choices she makes.

This option best reflects why Rosemary would be considered a complex character. Throughout the excerpt, her interactions and inner thoughts reveal a blend of privilege, social awareness, curiosity, and a desire for meaningful experiences. Her initial reaction to the enamel box and her contemplative moment in the rain convey her materialism, but they also hint at deeper emotional yearnings and a craving for authenticity and adventure, as shown in her spontaneous invitation to the young girl. This complexity in her motivations and emotional landscape illustrates that she is not merely defined by her wealth and social status, but also by her internal struggles and desires.