How does the stone calendar reflect beliefs of the Mexica people?

Question

A. It explained what they believed to be the history of the world.

B. It guided the spirits of the deceased through the afterlife.

C. It helped them understand the religious practices of other civilizations.

D. It symbolically protected Mexica temples from destruction by natural disasters.

Answer 1

The correct answer is:

A. It explained what they believed to be the history of the world.

The stone calendar, also known as the Aztec Calendar Stone, reflects the Mexica people's beliefs about time, cosmology, and their understanding of the cycles of life and history. It encapsulates their mythology, including the creation of the world, the gods, and the different eras or "suns" in which they believed the world existed.

Answer 2

Which of the following is a characteristic of Inca textiles?

A. Weavers made textiles using alpaca wool on a backstrap loom.

B. Weavers used colors and patterns that were purely decorative.

C. Weavers trimmed wool from sheep and wove it on a floor loom.

D. Traditional weavers used a combination of synthetic and natural dyes.

Answer 3

The correct answer is:

A. Weavers made textiles using alpaca wool on a backstrap loom.

Inca textiles are well-known for their intricate designs and use of materials like alpaca wool. The backstrap loom was a common tool used by Andean weavers, allowing them to create a variety of textiles with rich patterns and colors.

Answer 4

What is one convention Plains women used when decorating ceremonial clothing?

A. sewing tiny glass beads onto the hide to create geometric patterns

B. wrapping long strips of human hair with sinew to create fringe

C. wrapping thin shavings of cedar with thread to create floral designs

D. sewing leaves and other natural materials onto the hide to create designs

Answer 5

The correct answer is:

A. sewing tiny glass beads onto the hide to create geometric patterns.

Plains women often used glass beads to embellish ceremonial clothing, creating intricate and colorful geometric patterns that held cultural significance. Beadwork became a prominent decorative technique in Plains Indian art.

Answer 6

Which of the following is a step used in making a Navajo weaving?

A. Use natural dyes for many of the colors.

B. Paint geometric designs onto finished weavings.

C. Work in teams on large horizontal looms.

D. Spin alpaca wool into yarn.

Answer 7

The correct answer is:

A. Use natural dyes for many of the colors.

Navajo weavers traditionally use natural dyes derived from plants, minerals, and insects to achieve a wide range of colors in their textiles. This practice is an integral part of the weaving process and contributes to the distinctive beauty of Navajo rugs and blankets.

Answer 8

Islamic architects commonly use which of the following elements in mosques?

A. pyramidal bases that raise the mosque above other buildings

B. minarets where criers call Muslims to prayer daily

C. crenellated towers that protect the mosque against attack

D. frescoes that depict humankind’s relationship to Allah

Answer 9

The correct answer is:

B. minarets where criers call Muslims to prayer daily.

Minarets are tall, slender towers commonly found in Islamic architecture, particularly on mosques. They serve as a visual focal point and are used to call Muslims to prayer (adhan) five times a day.

Answer 10

Which statement describes characteristics of Islamic tughras?

A. They depict the names of common citizens using calligraphy.

B. They include text and images from epic stories important to Muslims.

C. They contain images of plants, animals, and humans.

D. They contain complex arabesques and interlaced lines.

Answer 11

The correct answer is:

D. They contain complex arabesques and interlaced lines.

Tughras, which are ornate calligraphic signatures used by Ottoman sultans, typically feature intricate designs, including complex arabesques and interlaced lines, along with the sultan's name and titles. They are highly stylized representations that reflect the artistic traditions of Islamic art.