Part 1:

Question

Conduct research online to locate a current situation involving the repatriation of
artifacts to a former colonial society. Describe the situation in two to three sentences.
Make sure to explain how these objects are part of that society’s cultural heritage.
Part 2:
Apply your problem-solving skills to create a plan that creatively addresses ways to
restore these objects to their original owners. Your proposal should cover the
following topics:
• the types of objects being returned
• reasons why these objects are being returned
• responses to concerns shared by the involved parties
• determine where the objects will be housed and how people will have access to
view them
• a proposed timeline for returning the artifacts to the former colony
Record your answers below.
Part 1:
Describe this example in two to three sentences and include an explanation of how
these objects make up a specific society’s cultural heritage:

Answer 1

Part 1: A prominent current situation involving the repatriation of artifacts is the ongoing negotiations between the British Museum and the Nigerian government regarding the return of the Benin Bronzes, a collection of intricate brass and ivory plaques and sculptures originally taken from the Kingdom of Benin during British colonial rule in the late 19th century. These artifacts are vital to Nigeria's cultural heritage, as they represent the artistry, history, and governance of the Benin kingdom, reflecting its societal values and historical narratives. Their return is seen as a step towards acknowledging the injustices of colonialism and restoring cultural pride to the people of Nigeria.

Part 2: Proposal for the Repatriation of the Benin Bronzes

• Types of Objects Being Returned: The Benin Bronzes, including plaques, statues, and other ceremonial objects that were looted during the British punitive expedition in 1897.

• Reasons for Return: These objects are being returned to rectify historical wrongs associated with colonialism and to restore cultural heritage and identity to the Edo people of Nigeria. The rightful ownership and cultural significance inherent in the Bronzes are recognized, highlighting the injustices of their removal and the importance of their cultural narratives to the descendants of those who created them.

• Responses to Concerns: In response to concerns about cultural preservation and the potential loss of these artifacts from international public view, the plan would involve collaborative exhibitions whereby both the British Museum and Nigerian institutions co-curate the Bronzes during certain periods. This would allow for educational opportunities in both locations, fostering cross-cultural understanding. Additionally, a pledge would be made to ensure that these artifacts are maintained according to the highest conservation standards.

• Housing and Access: Once returned, the Benin Bronzes will be housed in a purpose-built museum in Benin City, Nigeria, featuring modern exhibition spaces, conservation labs, and educational facilities. The museum will be accessible to both locals and international visitors, facilitating a global audience's engagement with Nigeria's rich cultural history while ensuring the artifacts are preserved in their home context.

• Proposed Timeline: The plan would involve a phased approach over five years:

  • Year 1: Initiate dialogue between the British Museum and Nigerian authorities, outlining the framework for cooperation.
  • Year 2-3: Develop the new museum infrastructure in Nigeria and establish a joint exhibition program.
  • Year 4: Begin the return process of the artifacts with two ceremonial returns each year, culminating in the full transfer of all items by the end of Year 5.

This comprehensive plan aligns with the broader goals of cultural restitution and aims to restore dignity and heritage to the people of Nigeria while fostering international collaboration and education.