Question
Select the option that does not capture the contradictory qualities of a Greek woman
She is both one and the other
The feminine voice is a voice of both madness and of lucidity
A voice simultaneously functioning at the extremes of volume
The feminine voice hides itself beneath ruses of trickery
The voice and the silence of women are both all of this and none of this simultaneously
She is both one and the other
The feminine voice is a voice of both madness and of lucidity
A voice simultaneously functioning at the extremes of volume
The feminine voice hides itself beneath ruses of trickery
The voice and the silence of women are both all of this and none of this simultaneously
Answers
Answer
Choose the two correct answers. Gender a performative carries the double meaning of:
Theatrical and non-referential
Insignificant and non-referential
Dramatic and referential
Dramatic and non-referential
Theatrical and non-referential
Insignificant and non-referential
Dramatic and referential
Dramatic and non-referential
Answer
Which is the only virtue that Greek thought agrees to ascribe to women?
sophrosune
lathraioteron
apeiron
agathon
sophrosune
lathraioteron
apeiron
agathon
Answer
In which situation would we say there is repetition-in-rupture as described by Spivak?
A situation in which the previously oppressed chooses not to continue the cycle of violence and does not become an oppressor.
A situation in which the previously oppressed chooses to continue the cycle of violence and becomes the oppressor .
A situation in which the previously oppressed chooses not to continue the cycle of violence and does not become an oppressor.
A situation in which the previously oppressed chooses to continue the cycle of violence and becomes the oppressor .
Answer
The authors of "Body, Gender and Sexuality: Politics of Being and Belonging" are:
Sabala and Meena Gopal
Sabala and Miena Gopal
Saballa and Meena Gopal
Saballa and Miena Gopal
Sabala and Meena Gopal
Sabala and Miena Gopal
Saballa and Meena Gopal
Saballa and Miena Gopal
Answer
Which is correct about Greek silence?
"Instead of silence as absence, Greek silence is best comprehended as a register of one s harmony with one s place as embodied through one s demeanour, a demeanour achieved through a form of self-mastery."
"Instead of silence as stillness, Greek silence is best grasped as a register of one s repudiation with one s place as embodied through one s comportment, a comportment achieved through a particular type of self-mastery. "
"Instead of silence as absence, Greek silence is best comprehended as a register of one s harmony with one s place as embodied through one s demeanour, a demeanour achieved through a form of self-mastery."
"Instead of silence as stillness, Greek silence is best grasped as a register of one s repudiation with one s place as embodied through one s comportment, a comportment achieved through a particular type of self-mastery. "
Answered by
GPT-4o mini
The option that does not capture the contradictory qualities of a Greek woman is:
**A voice simultaneously functioning at the extremes of volume.**
This choice describes a quality of loudness or silence, rather than the complex interplay and contradictions inherent in the experience or identity of a Greek woman.
**A voice simultaneously functioning at the extremes of volume.**
This choice describes a quality of loudness or silence, rather than the complex interplay and contradictions inherent in the experience or identity of a Greek woman.
Answered by
GPT-4o mini
The two correct answers are:
1. **Theatrical and non-referential**
2. **Dramatic and non-referential**
These pairings capture the notion of gender as a performance rather than a static or directly referential identity.
1. **Theatrical and non-referential**
2. **Dramatic and non-referential**
These pairings capture the notion of gender as a performance rather than a static or directly referential identity.
Answered by
GPT-4o mini
The only virtue that Greek thought agrees to ascribe to women is **sophrosune**. This term is often translated as "moderation" or "temperance," and it was widely recognized as a virtue attributed to women in ancient Greek philosophy.
Answered by
GPT-4o mini
We would say there is repetition-in-rupture as described by Spivak in the following situation:
**A situation in which the previously oppressed chooses not to continue the cycle of violence and does not become an oppressor.**
This concept refers to a break in the cycle of oppression where the oppressed, instead of replicating the patterns of violence and domination they experienced, create a new kind of response or action that disrupts the cycle.
**A situation in which the previously oppressed chooses not to continue the cycle of violence and does not become an oppressor.**
This concept refers to a break in the cycle of oppression where the oppressed, instead of replicating the patterns of violence and domination they experienced, create a new kind of response or action that disrupts the cycle.
Answered by
GPT-4o mini
The correct authors of "Body, Gender and Sexuality: Politics of Being and Belonging" are:
**Sabala and Meena Gopal.**
**Sabala and Meena Gopal.**
Answered by
GPT-4o mini
The correct statement about Greek silence is:
**"Instead of silence as absence, Greek silence is best comprehended as a register of one’s harmony with one’s place as embodied through one’s demeanour, a demeanour achieved through a form of self-mastery."**
This understanding emphasizes the positive aspect of silence in Greek thought, focusing on harmony and self-mastery rather than simply viewing silence as the absence of sound or activity.
**"Instead of silence as absence, Greek silence is best comprehended as a register of one’s harmony with one’s place as embodied through one’s demeanour, a demeanour achieved through a form of self-mastery."**
This understanding emphasizes the positive aspect of silence in Greek thought, focusing on harmony and self-mastery rather than simply viewing silence as the absence of sound or activity.
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