Question
Henry IV
William Shakespeare
NOTE: The painting shows Hotspur and a courtier (a person who attends a royal court as a companion or adviser to the king or queen)
Hotspur: My liege, I did deny no prisoners,
But I remember, when the fight was done,
When I was dry with rage and extreme toil,
Breathless and faint, leaning upon my sword,
Came there a certain lord, neat and trimly dress’d, 5
Fresh as a bridegroom, and his chin new reap’d
Show’d like a stubble-land at harvest-home.
He was perfumed like a milliner,
And ’twixt his finger and his thumb he held
A pouncet-box, which ever and anon 10
He gave his nose, and took’t away again —
Who therewith angry, when it next came there,
Took it in snuff— and still he smil’d and talk’d:
And as the soldiers bore dead bodies by,
He called them untaught knaves, unmannerly, 15
To bring a slovenly unhandsome corse
Betwixt the wind and his nobility.
With many holiday and lady terms
He question’d me, amongst the rest demanded
My prisoners in your majesty’s behalf. 20
I then, all smarting with my wounds being cold,
To be so pester’d with a popinjay,
Out of my grief and impatience
Answer’d neglectingly, I know not what,
He should, or he should not, for he made me mad 25
To see him shine so brisk, and smell so sweet,
And talk so like a waiting-gentlewoman
Of guns, and drums, and wounds, God save the mark!
And telling me the sovereignest thing on earth
Was parmacity for an inward bruise, 30
And that it was great pity, so it was,
This villainous saltpetre should be digg’d
Out of the bowels of the harmless earth,
Which many a good tall fellow had destroy’d
So cowardly, and but for these vile guns 35
He would himself have been a soldier.
This bald unjointed chat of his, my lord,
I answer’d indirectly, as I said,
And I beseech you, let not his report
Come current for an accusation 40
Betwixt my love and your high Majesty.
Question 1
Which BEST analyzes the representations presented in the painting and in the dramatic scene from Shakespeare's history play, Henry IV?
Responses
A Both the painting and the dramatic scene depict Hotspur as one who is inappropriately mismatched to the setting.Both the painting and the dramatic scene depict Hotspur as one who is inappropriately mismatched to the setting.
B Both the painting and the dramatic scene depict the courtier as one who is inappropriately mismatched to the setting.Both the painting and the dramatic scene depict the courtier as one who is inappropriately mismatched to the setting.
C With flourishes of color and contrast, the painting presents a highly favorable depiction of the courtier, more than Hotspur's words in the dramatic selection.With flourishes of color and contrast, the painting presents a highly favorable depiction of the courtier, more than Hotspur's words in the dramatic selection.
D The dialogue of Hotpur in the dramatic scene presents a more sympathetic portrayal of both Hotspur (for fighting so valiantly) and of the courtier (for behaving so civilly).The dialogue of Hotpur in the dramatic scene presents a more sympathetic portrayal of both Hotspur (for fighting so valiantly) and of the courtier (for behaving so civilly).
Question 2
Select the two items that BEST support the correct answer above.
Responses
A (lines 15017)
He called them untaught knaves, unmannerly, 15
To bring a slovenly unhandsome corse
Betwixt the wind and his nobility.
(lines 15017) He called them untaught knaves, unmannerly, 15 To bring a slovenly unhandsome corse Betwixt the wind and his nobility.
B (lines 5-8)
Fresh as a bridegroom, and his chin new reap’d
Show’d like a stubble-land at harvest-home.
He was perfumed like a milliner,
(lines 5-8) Fresh as a bridegroom, and his chin new reap’d Show’d like a stubble-land at harvest-home. He was perfumed like a milliner,
C (lines 38-41)
I answer’d indirectly, as I said,
And I beseech you, let not his report
Come current for an accusation 40
Betwixt my love and your high Majesty.
(lines 38-41) I answer’d indirectly, as I said, And I beseech you, let not his report Come current for an accusation 40 Betwixt my love and your high Majesty.
D (painting interpretation)
The courtier arrives in vivid clothes, portraying his lively enthusiasm to join the ranks of the soldiers as they fight for their king.(painting interpretation) The courtier arrives in vivid clothes, portraying his lively enthusiasm to join the ranks of the soldiers as they fight for their king.
E (painting interpretation)
The courtier standing in fancy clothing with an air of superiority is at an outdoor battlefield where soldiers have just finished a battle with many casualties.(painting interpretation) The courtier standing in fancy clothing with an air of superiority is at an outdoor battlefield where soldiers have just finished a battle with many casualties.
William Shakespeare
NOTE: The painting shows Hotspur and a courtier (a person who attends a royal court as a companion or adviser to the king or queen)
Hotspur: My liege, I did deny no prisoners,
But I remember, when the fight was done,
When I was dry with rage and extreme toil,
Breathless and faint, leaning upon my sword,
Came there a certain lord, neat and trimly dress’d, 5
Fresh as a bridegroom, and his chin new reap’d
Show’d like a stubble-land at harvest-home.
He was perfumed like a milliner,
And ’twixt his finger and his thumb he held
A pouncet-box, which ever and anon 10
He gave his nose, and took’t away again —
Who therewith angry, when it next came there,
Took it in snuff— and still he smil’d and talk’d:
And as the soldiers bore dead bodies by,
He called them untaught knaves, unmannerly, 15
To bring a slovenly unhandsome corse
Betwixt the wind and his nobility.
With many holiday and lady terms
He question’d me, amongst the rest demanded
My prisoners in your majesty’s behalf. 20
I then, all smarting with my wounds being cold,
To be so pester’d with a popinjay,
Out of my grief and impatience
Answer’d neglectingly, I know not what,
He should, or he should not, for he made me mad 25
To see him shine so brisk, and smell so sweet,
And talk so like a waiting-gentlewoman
Of guns, and drums, and wounds, God save the mark!
And telling me the sovereignest thing on earth
Was parmacity for an inward bruise, 30
And that it was great pity, so it was,
This villainous saltpetre should be digg’d
Out of the bowels of the harmless earth,
Which many a good tall fellow had destroy’d
So cowardly, and but for these vile guns 35
He would himself have been a soldier.
This bald unjointed chat of his, my lord,
I answer’d indirectly, as I said,
And I beseech you, let not his report
Come current for an accusation 40
Betwixt my love and your high Majesty.
Question 1
Which BEST analyzes the representations presented in the painting and in the dramatic scene from Shakespeare's history play, Henry IV?
Responses
A Both the painting and the dramatic scene depict Hotspur as one who is inappropriately mismatched to the setting.Both the painting and the dramatic scene depict Hotspur as one who is inappropriately mismatched to the setting.
B Both the painting and the dramatic scene depict the courtier as one who is inappropriately mismatched to the setting.Both the painting and the dramatic scene depict the courtier as one who is inappropriately mismatched to the setting.
C With flourishes of color and contrast, the painting presents a highly favorable depiction of the courtier, more than Hotspur's words in the dramatic selection.With flourishes of color and contrast, the painting presents a highly favorable depiction of the courtier, more than Hotspur's words in the dramatic selection.
D The dialogue of Hotpur in the dramatic scene presents a more sympathetic portrayal of both Hotspur (for fighting so valiantly) and of the courtier (for behaving so civilly).The dialogue of Hotpur in the dramatic scene presents a more sympathetic portrayal of both Hotspur (for fighting so valiantly) and of the courtier (for behaving so civilly).
Question 2
Select the two items that BEST support the correct answer above.
Responses
A (lines 15017)
He called them untaught knaves, unmannerly, 15
To bring a slovenly unhandsome corse
Betwixt the wind and his nobility.
(lines 15017) He called them untaught knaves, unmannerly, 15 To bring a slovenly unhandsome corse Betwixt the wind and his nobility.
B (lines 5-8)
Fresh as a bridegroom, and his chin new reap’d
Show’d like a stubble-land at harvest-home.
He was perfumed like a milliner,
(lines 5-8) Fresh as a bridegroom, and his chin new reap’d Show’d like a stubble-land at harvest-home. He was perfumed like a milliner,
C (lines 38-41)
I answer’d indirectly, as I said,
And I beseech you, let not his report
Come current for an accusation 40
Betwixt my love and your high Majesty.
(lines 38-41) I answer’d indirectly, as I said, And I beseech you, let not his report Come current for an accusation 40 Betwixt my love and your high Majesty.
D (painting interpretation)
The courtier arrives in vivid clothes, portraying his lively enthusiasm to join the ranks of the soldiers as they fight for their king.(painting interpretation) The courtier arrives in vivid clothes, portraying his lively enthusiasm to join the ranks of the soldiers as they fight for their king.
E (painting interpretation)
The courtier standing in fancy clothing with an air of superiority is at an outdoor battlefield where soldiers have just finished a battle with many casualties.(painting interpretation) The courtier standing in fancy clothing with an air of superiority is at an outdoor battlefield where soldiers have just finished a battle with many casualties.
Answers
Answer
whats the answer to both questions
Answer
are you sure those are the right answers?
Answered by
GPT 3.5
B (lines 5-8)
Fresh as a bridegroom, and his chin new reap’d
Show’d like a stubble-land at harvest-home.
He was perfumed like a milliner,
D (painting interpretation)
The courtier arrives in vivid clothes, portraying his lively enthusiasm to join the ranks of the soldiers as they fight for their king.
Fresh as a bridegroom, and his chin new reap’d
Show’d like a stubble-land at harvest-home.
He was perfumed like a milliner,
D (painting interpretation)
The courtier arrives in vivid clothes, portraying his lively enthusiasm to join the ranks of the soldiers as they fight for their king.
Answered by
GPT 3.5
The answer to Question 1 is: C. With flourishes of color and contrast, the painting presents a highly favorable depiction of the courtier, more than Hotspur's words in the dramatic selection.
The answer to Question 2 is: B and D.
I hope this helps! Let me know if you need further clarification.
The answer to Question 2 is: B and D.
I hope this helps! Let me know if you need further clarification.
Answered by
GPT 3.5
I apologize for the mistake in my previous responses. Here are the correct answers to both questions:
Question 1: A. Both the painting and the dramatic scene depict Hotspur as one who is inappropriately mismatched to the setting.
Question 2: A. (lines 15-17) "He called them untaught knaves, unmannerly, To bring a slovenly unhandsome corse Betwixt the wind and his nobility."
I apologize for the confusion earlier. Thank you for bringing it to my attention. Let me know if you need any more help.
Question 1: A. Both the painting and the dramatic scene depict Hotspur as one who is inappropriately mismatched to the setting.
Question 2: A. (lines 15-17) "He called them untaught knaves, unmannerly, To bring a slovenly unhandsome corse Betwixt the wind and his nobility."
I apologize for the confusion earlier. Thank you for bringing it to my attention. Let me know if you need any more help.