In line 2, Roy Campbell uses imagery to describe the "anatomy" of the landscape by mentioning "ribbed and doomed peaks". This imagery suggests a sense of structure and stability in the landscape, with the peaks resembling the ribs of a giant creature.
In line 3, the season that is referred to as the "paragon of art" is autumn. This is because autumn is often associated with vibrant colors, falling leaves, and a sense of transition and change, all of which can be seen as artistic elements in nature.
The visual appeal of 'red froth and sun-gold' in line 15 is the vibrant and vivid description of the sunset. The contrast between the red froth and sun-gold colors creates a striking image of the sunset, evoking a sense of beauty and warmth.
Summer lingers in the poem by being described as "...turns its cheek to the cooling kiss of the rain." This suggests that even as summer starts to fade, it still holds onto warmth and energy, lingering before the arrival of autumn.
In lines 16-17, the diction of "pyre" and "rotted" links with the theme of the poem by emphasizing the dual nature of nature - both beautiful and destructive. The word "pyre" suggests fire and destruction, while "rotted" implies decay and death. This connects with the theme of the cycle of life and death in nature that is present throughout the poem.
3.
Refer to line 2. How does Roy Campbell use imagery to describe the
"anatomy" of the landscape in the poem?
(1)
3.2
Refer to line 3. In your opinion, which season is the "paragon of art?
Motivate your response.
(2)
What is the visual appeal of 'red froth and sun-gold' in line 15?
(2
3.3
34
In what way does summer linger?
(2)
3.5
Refer to lines 16-17. Comment on the diction in these lines, How do the
words "pyre" and "rotted" link with the theme of the poem?
(3)
9
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