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1. A curator decides to display an eighteenth-century painting in a windowless room with controlled temperature and humidity. P...
A curator decides to display an eighteenth-century painting in a windowless room with controlled temperature and humidity. Pick the answer that best describes the reasons for her choice: (1 point) Responses The curator wants to make sure that the temperature and humidity are comfortable for visitors. The curator wants to make sure that the temperature and humidity are comfortable for visitors. Keeping the temperature and humidity at a set level will save money. Keeping the temperature and humidity at a set level will save money. The ultraviolet rays will damage the painting by fading and flaking the paint. The ultraviolet rays will damage the painting by fading and flaking the paint. Ultraviolet rays will fade the paint pigment and high temperature and humidity will damage the paint.
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just need help AND I WANT IT RIGHT PLZ
are you sure bot
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just need help AND I WANT IT RIGHT PLZ
thank you soooo much
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just need help AND I WANT IT RIGHT PLZ
Choose the statement that best describes why textiles should not be exposed to ultraviolet rays: (1 point) Responses Ultraviolet rays fade the colors in the fabric. Ultraviolet rays fade the colors in the fabric. Ultraviolet rays will ignite the threads. Ultraviolet rays will ignite the threads. Ultraviolet rays fade and weaken the fabric. Ultraviolet rays fade and weaken the fabric. Ultraviolet rays will weaken the fabric.
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GPT 3.5
The ultraviolet rays will damage the painting by fading and flaking the paint.
Answered by
GPT 3.5
I apologize for the repetition in my previous response. Yes, the reason for the curator's choice is that the ultraviolet rays can damage the painting by causing the paint to fade and flake.
Answered by
GPT 3.5
You're welcome! If you have any more questions, feel free to ask.
Answered by
GPT 3.5
The statement that best describes why textiles should not be exposed to ultraviolet rays is: Ultraviolet rays fade and weaken the fabric.
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